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Will Arnett

Big Laughs Await in Sly, Fun ‘The LEGO Movie’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The funniest movie in a long while features no human beings, just animated bland faces among interlocking plastic bricks, the toys which inspired the film. “The LEGO Movie” never takes itself seriously, which means huge laughs for the audience.

B-Level Story Sinks Finely Animated ‘The Nut Job’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It feels like when any studio besides Walt Disney or Pixar does an animated film with celebrity voices, there is a little less lacquer on it. What the other two remember, and others forget, is that it starts with a script. All the toon landscapes in the world can’t fix a dull story.

Middling ‘Mansome’ Suffers From Skin-Deep Insight

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Morgan Spurlock is an awfully likable guy. I’ll never forget the day when he held a special screening of “Super Size Me” for an auditorium full of college kids. After participating in an extended Q & A, Spurlock spoke with every single student that wanted to shake his hand and pose for a picture. When the building finally had to close up for the night, the Spurlock love fest spilled out onto the sidewalk.

Magical Trip to ‘The Secret World of Arrietty’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Hayao Miyazaki is a living legend and his company Studio Ghibli should be as revered as Disney. They have given moviegoers around the world so many incredible gifts such as “Spirited Away,” “My Neighbor Totoro,” and “Princess Mononoke.” When Mr. Miyazaki only produces or writes instead of directing, such as with the new “The Secret World of Arrietty,” the results are less magical than otherwise but there’s still a lot to like in this gentle, sweet family film.

‘Despicable Me’ With Steve Carell Falls Short of World Domination

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Despicable Me” is a mildly entertaining diversion on a summer afternoon. It’s a film that’s as equally difficult to hate as it is to love — kind of like its morally complex lead Gru (Steve Carell) — that falls just short of animation domination.

Josh Brolin, Megan Fox Dash Between the Explosions in ‘Jonah Hex’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Delving deep into the comic book lexicon, the latest page-to-film adaptation is “Jonah Hex,” featuring Josh Brolin, Megan Fox and John Malkovich. Hex is a scarred bounty hunter whose primary job seems to be saving America, when he isn’t in the midst of or causing things to blow up real good.

DreamWorks’ ‘Monsters vs. Aliens’ Has Great 3D Concept, But Falls Flat

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Hasn’t Pixar proven that animation can be more than just concept and celebrity voice work? The problem with “Monsters vs. Aliens” is that the team behind it clearly prioritized nearly every element of the film over actual storytelling.

Dr. Seuss’ ‘Horton Hears a Who!’ Heard Loudly Into Instant Children’s Classic

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – One of Dr. Seuss’ most famous storybooks has finally been granted life with its self-titled animated feature “Horton Hears a Who!,” which involves a morally righteous elephant, philosophical timbre and Dr. Seuss’ ingenious lyrical rhymes.

Slapstick in ‘The Brothers Solomon’ Dumber Than ‘Dumb & Dumber’

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – With 2007 films like “Knocked Up” and “Superbad,” the smart and embarrassingly truthful geek comedies are the current wave of humor in America.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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