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Patton Oswalt

Portrait of a Cynical Genius in ‘The Bitter Buddha’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We live in such a cynical world that when a film critic tells you a stand-up comedian is damn funny, it might not hold as much weight as it did in a universe before everyone had an opinion on everything online. So how can I convince you that Eddie Pepitone, the subject of Stephen Feinartz’s “The Bitter Buddha,” opening this weekend at the Music Box Theatre in Chicago, is damn funny? Do you like Marc Maron, Sarah Silverman, Dana Gould, or the amazing Patton Oswalt? They think he’s hilarious. And if that doesn’t do it, the movie will. Just trust us.

‘Seeking a Friend for the End of the World’ Can’t Find Honest Emotion

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Lorene Scafaria’s “Seeking a Friend for the End of the World” is a manipulative mess that’s only slightly redeemed by yet-another engaging performance from one of the best actresses of her generation. Even the always-great Keira Knightley can’t hold back the deluge of clichés and false characters that drag this piece down into the kind of dreck that would be universally derided if it just had the name “Nicholas Sparks Presents” in front of it.

Jason Reitman, Diablo Cody Sway Us to Like the Unlikable in ‘Young Adult’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Mavis Gary (Charlize Theron) isn’t a girl you’d Facebook like. She’s got one too many dark passengers, she’s a repugnant drunk, she likes too much pink, her white dog is too puffy and most would consider it less than Usher cool that she’s throwing herself at a married man she couldn’t bag back in high school. Or is she? And is Mavis so different than you?

Steven Soderbergh’s ‘The Informant!’ Puts Matt Damon on a Wire

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Behind every great fortune lies a great crime, as the saying goes. In director Steven Soderbergh’s “The Informant!,” he and Matt Damon carve out a satire where the “crime” becomes entangled with the larger issues of “justice.”

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