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Jason Segel

‘Sex Tape’ a Comedy Sorely Lacking in Laughs

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Jason Segel is usually fun to watch in just about anything, but he sure isn’t fun in “Sex Tape,” a big studio summer comedy with a fatal flaw - it doesn’t seem to know what’s funny. So like a stand-up comedian on a bad night, it feverishly and desperately throws anything it can think of at the screen in the vague hope that it might be funny even incidentally.

Judd Apatow’s ‘This is 40’ Clutters Truth with Cliché

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Judd Apatow’s “This is 40” is a true disappointment, a comedy that purports to say something honest and insightful about approaching middle age in the ‘10s but blurs truth by smothering it in contrivance and cliché. Strong work from Leslie Mann and Albert Brooks rescue the project from complete disaster but the largely-unfunny and almost entirely disingenuous script mark this as the talented Apatow’s most notable misfire.

Darkly Comic Jason Segel in ‘The Five-Year Engagement’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There are some major laughs in “The Five-Year Engagement,” good old fashion you-can’t-breathe laughs. But it is also dark and serious at times, and makes some surprising contemporary statements regarding coupling. Jason Segel and Emily Blunt portray the engaged couple.

Jason Segel, Ed Helms in Inconsistent ‘Jeff, Who Lives at Home’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Writer/directors Jay and Mark Duplass clearly love their characters. Whether it’s the awkward man-child at the center of “Cyrus” or the title character in their new dramedy “Jeff, Who Lives at Home,” there’s a charming affection for these people. I really enjoyed spending time with the quartet of well-drawn, well-acted people in “Jeff,” which makes the fact that their story is less-structured and sloppier than it should be to be effective all the more frustrating. I SO want to love “Jeff, Who Lives at Home,” but this dude is too often stuck in the creative basement.

‘The Muppets’ is Hilarious, Joyful Entertainment

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The Muppets stand on such a pedestal for an entire generation that there was an understandable amount of trepidation when it was announced that Jason Segel and Disney were moving forward with a reboot. How could it possibly live up to our expectations? Would they turn Kermit, Fozzie, and Miss Piggy into commercial commodities like “The Smurfs” and “Alvin and the Chipmunks”?

Cameron Diaz Commits Sin of Boredom in ‘Bad Teacher’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If you’re going to be bad, be bad. But this is mainstream Hollywood “product,” starring Cameron Diaz, and while the concept of the new film “Bad Teacher” had promise, it eventually fell down on the weight of happy resolutions and the worse mortal sin for a comedy…it was dull.

‘Despicable Me’ With Steve Carell Falls Short of World Domination

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Despicable Me” is a mildly entertaining diversion on a summer afternoon. It’s a film that’s as equally difficult to hate as it is to love — kind of like its morally complex lead Gru (Steve Carell) — that falls just short of animation domination.

Judd Apatow Again Fashions Gimmick Into Gold in Uproarious ‘Forgetting Sarah Marshall’

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – After being blitzed by an onslaught of attention-demanding advertising that begged the question “who is Sarah Marshall?” even before you realized it’s a film, anticipation was ravenous.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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