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HollywoodChicago.com Movie Reviews

‘Anna and The Apocalypse’ is UnDead on Arrival

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Arriving a few years too late after the great movie mashup craze, “Anna and The Apocalypse” is a zombie Christmas musical. The signature (and only) joke is that teens are dancing and singing amid the blood, guts, and gore spurting in gushers around them. But it’s less a feature film and more akin to a late run episode of “Glee,” when its creators had clearly run out of any ideas.

‘Roma’ is a Celebration of Human Courage & Spirit

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – In one of the most arresting and beautiful films of the year, writer/director Alfonso Cuarón transports us back to 1970s Mexico City, to his childhood and his appreciation of memory. He also creates a human story around all the nostalgia, that all takes place in the neighborhood of “Roma.”

A Hilarious Combination of Crass and Class in ‘The Favourite’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Looking through auteur Yorgos Lanthimos’ filmography, you’ll recognize a style that combines both visual beauty and narrative absurdism. The Lanthimos effect, or Lanthimo-nium as I like to call it, elevates any piece of work to such a high degree that often times the meanings go over our heads. In his most mainstream effort to date, “The Favourite” will likely become your favorite of his works.

'Ralph Breaks the Internet' is a Mature, Bittersweet Heart-breaker

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The internet we know today is a fairly young invention full of some of the greatest conveniences known to man, but also some of the greatest distractions and nuisances currently in our lives. “Ralph Breaks the Internet” embodies just that, and while it doesn’t quite reach the high score of its predecessor, the maturity and wisdom displayed in it more than makes up for it.

‘Robin Hood’ is a By-the-Book Waste of Cinema Energy

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – No one in the movie-going universe was pining for another Robin Hood remake. No. One. Yet, with the story in public domain and some overseas cash to spend, here we are. Taron Egerton (“Kingsman” series) takes on the title role, with support from Jamie Foxx.

Fight for Redemption in the Rocky Universe of ‘Creed II’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the EIGHTH exploration (wow) for the story of boxer Rocky Balboa (Sylvester Stallone) – that began way back in 1976 – the son of his first opponent, Adonis Creed (Michael B. Jordan), must settle an old score and seek redemption for himself and those around him in “Creed II.”

The Friendship Page of Black & White in ‘Green Book’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In the original sin of racism in America, structured in the societal relationship between whites and African Americans, there had to be small steps before there were larger ones. In 1962, a black piano virtuoso and his white Italian New Yorker driver toured through the Deep South and developed a friendship, in the new film “Green Book.”

‘Fantastic Beasts: The Crimes of Grindelwald’ Goes Deeper into Harry Potter World

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Fantastic Beasts: The Crimes of Grindelwald” is like the “Joey” of film franchises, a spinoff which only exists because of its tangential connections to a better (and more beloved) property. But since this is our only current filmed connection to the “wizarding world of Harry Potter,” it’ll have to do.

‘Boy Erased’ Thrives On Empathy, Lacks Overall Conviction

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – America is facing a confusing time of crisis, again. There are giant groups of people who are ready to hate other people for biological traits that can’t—and don’t need to—be changed, like skin color, sexual orientation, and race. “Boy Erased” adds to the national dialogue by showing the devastating effects this type of mentality can have inside our own families, and how to prevent it.

Story Spins Out of Reach for ‘The Girl in the Spider’s Web’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There is nothing wrong with revisiting The Girl with the Dragon Tattoo. That tattoo has made beaucoup bucks in book and film forms (both foreign language and Americanized versions), and Claire Foy taking over for Rooney Mara in the title role is seamless. So why the totally lackluster story? Is this a narrative source problem?

He’s a Not-So-Mean-One in Remake of ‘The Grinch’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – They should have left well enough alone, didn’t anybody learn anything from the trainwreck of the Jim Carrey live-action-as-The-Grinch? Apparently not. A more kid friendly and modern animated version of “The Grinch” opens six weeks before Christmas, and already I want to return it.

A Star is Re-Examined in ‘Making Montgomery Clift’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Montgomery “Monty” Clift was an enigma as a “movie star” from the minute his image reflected from the silver screen. Dark and intense, he exhibited a inner ferocity that was unmatched from any other actor of his era, including Marlon Brando. Because of the enigma, his persona has often been mischaracterized, and he died young in his mid-forties. His nephew Robert Anderson Clift seeks to revitalize the authentic Monty in the new documentary “Making Montgomery Clift.”

‘The Nutcracker and the Four Realms’ is Beautiful, But Broken

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Film has always felt like a much more accessible way to get cultured than, say, going to watch a play or opera. Watching a foreign film can educate you about the world and history as well as any play. “The Nutcracker and the Four Realms” promised that kind of experience, but your time is better served catching the actual ballet at a local theater instead.

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    CHICAGO – In the history of “Reality TV” there has been periods of up-and-down popularity, shows that have been around seemingly forever (“Big Brother,” “Amazing Race”) and spinoffs to new styles like “documentary series” as networks like the National Geographic Channel emerged. In all those permutations, producer Stephanie Buxbaum has experienced it all, and has the career and stories to prove it.

  • Deadbeat2

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