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Amy Poehler

‘They Came Together’ Sharply Skewers the Rom-Com

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – If there is any genre of film that needs a good blasting, it is the romantic comedy. These silly fantasies practically seem like satires anyway, so when the comic genius of writer/director David Wain ponders them, and casts Paul Rudd and Amy Poehler as the “couple,” the funny will fly.

Hilarious Cast Elevates Mediocre ‘A.C.O.D.’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The incredibly talented men and women who make up the cast of “A.C.O.D.” make the relative failure of its script easier to bear. Just hearing brilliant actors like Richard Jenkins and Catherine O’Hara at each other’s throats or watching remarkably likable stars like Adam Scott and Mary Elizabeth Winstead figure out their relationship has enough charm to get one from lights down to credits roll.

Magical Trip to ‘The Secret World of Arrietty’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Hayao Miyazaki is a living legend and his company Studio Ghibli should be as revered as Disney. They have given moviegoers around the world so many incredible gifts such as “Spirited Away,” “My Neighbor Totoro,” and “Princess Mononoke.” When Mr. Miyazaki only produces or writes instead of directing, such as with the new “The Secret World of Arrietty,” the results are less magical than otherwise but there’s still a lot to like in this gentle, sweet family film.

Despite Poehler’s Wit, ‘Mr. Woodcock’ Underwhelms With Wasted Thornton, Sarandon Talent

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Just from eyeing the “Mr. Woodcock” movie poster, you could suspect exactly what the movie will be. Just 90 minutes later, your suspicions would be confirmed.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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