Morgan Freeman

Rating: 3.0/5.0

CHICAGO – “Oblivion” is a Pyrrhic victory that wins its battle, but loses the overall war. While this is the kind of visual production value you’d expect on a $120 million budget, an ostentatious steak dinner in the special effects department never makes up for a story that tastes more like cheap ramen noodles.

Rating: 2.5/5.0

CHICAGO – Antoine Fuqua’s “Olympus Has Fallen” (or “Die Hard in the White House”) is a stupid, exploitative movie that wants to be “Call of Duty: Black Ops” in film form but ends up more like one of its countless, ineffective rip-offs. There are moments of goofy, B-movie fun (certainly more of them than in the much-worse “A Good Day to Die Hard”) but not enough to get over the brutal nonsense that makes up most of this action flick.

Rating: 4.5/5.0

CHICAGO (No-Spoiler Promise!) – In a Hollywood test tube, pour one part Michael Bay and his pure “Transformers” eye candy plus another part Quentin Tarantino with his rich writing and masterful characters. The resulting mutation is Christopher Nolan and his near-perfect Batman conclusion – “The Dark Knight Rises” – to one of the greatest trilogies of all time.

Rating: 4.0/5.0

CHICAGO – With “The Dark Knight Rises”, Christopher Nolan epically follows through on most of the themes he set up in “Batman Begins” and “The Dark Knight” with amazing technical skill and an ambitious sense of scope. No one can deny the effort and intensity of this closing chapter of the most acclaimed superhero saga in the history of film.

Rating: 5.0/5.0

CHICAGO – Sound the gong for one of the best films of the summer, as “The Dark Knight Rises” delivers an awe-inspiring blockbuster on virtually every level of storytelling and performance. Christian Bale, Anne Hathaway, Gary Oldman, Joseph Gordon-Levitt and director Christopher Nolan create grand, metaphoric and visionary cinema.

Rating: 3.0/5.0

CHICAGO – In the tradition of live-action Disney films of another era, “Dolphin Tale” wears its heart on its sleeve, while at the same time using the characters as two-dimensional window dressing around a based-on-truth story of humans and an animal bonding together to inspire a nation.

Rating: 1.0/5.0

CHICAGO – They say you can learn as much from a bad movie as you can from a good one. If that’s true, what’s the lesson to be taken from the extremely boring and misguided “Red”? Perhaps that moviemaking is not the sum of its parts and that you can’t just get together an amazing cast, shout action, and expect magic.

Rating: 3.0/5.0

CHICAGO – Director Clint Eastwood has given up on subtlety, choosing instead to tell old-fashioned, direct stories with as much technical skill and dramatic competency as possible. There’s nothing particularly wrong with the legendary director’s “Invictus,” but it’s also not nearly as memorable or thrilling as it could have or, given the true story that it tells, should have been.

Rating: 5.0/5.0 (rarely perfect)

CHICAGO – With only three short words comprising the film’s enigmatic title, “The Dark Knight” also boasts three epic claims to fame: the role of a lifetime for the late Heath Ledger as the hauntingly deranged Joker, one of the best films of 2008 and one of the greatest superhero films of all time.

Rating: 4.5/5.0

CHICAGO – With curving, clinking and kissing bullets, “Wanted” indeed does Chicago proud. And Angelina Jolie sells it. And Morgan Freeman is ominous. And in his body of work, James McAvoy – the star of this orgasmic summer blockbuster – becomes a man.