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Morgan Freeman

‘Dolphin Tale 2’ is Fantastic Family Entertainment

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – They don’t come along often, the rare fun-for-the-whole-family film. But “Dolphin Tale 2” fits that description perfectly, throws in some idealistic symbolism, and more importantly follows those symbols through to the end.

Scarlett Johansson Packs a Blockbuster Punch in ‘Lucy’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Lucy” is a piece of high-minded cinematic junk food that manages to be outlandishly weird while still satisfying the lizard brain desires of its audience. It’s a film that knows what’ll get the behinds in the seats, and that appeal can effectively be summed up in one shot. It shows Scarlett Johansson in a tight-fitting white t-shirt walking in slow motion with her bosoms bouncing in unison, carrying two guns and ready to kick some serious ass.

Meditative ‘Transcendence’ Also Artificially Intelligent

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

39-Minute IMAX Doc ‘Island of Lemurs: Madagascar’ With Morgan Freeman Feels Rushed, Incomplete

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It’s challenging to enjoy this film purely for what it is rather than fault it for what it could have been.

“Island of Lemurs: Madagascar,” which opened exclusively in IMAX 3D and 2D on April 4, 2014 and is narrated by Morgan Freeman, is only 39 minutes. The film too simply grazes the surface of a complicated problem.

Big Laughs Await in Sly, Fun ‘The LEGO Movie’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The funniest movie in a long while features no human beings, just animated bland faces among interlocking plastic bricks, the toys which inspired the film. “The LEGO Movie” never takes itself seriously, which means huge laughs for the audience.

Story of ‘Now You See Me’ a Bit Misdirected

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Boasting a big star ensemble cast, and themes of magical realism and misdirection, “Now You See Me” is an overdone, too-clever-for-its-own-good fantasy with some entertaining tricks. Jesse Eisenberg and Isla Fisher join veterans Woody Harrelson and Morgan Freeman in the magic mix.

Eyegasmic ‘Oblivion’ With Tom Cruise Wins Your Optics, But Loses Your Brain

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Oblivion” is a Pyrrhic victory that wins its battle, but loses the overall war. While this is the kind of visual production value you’d expect on a $120 million budget, an ostentatious steak dinner in the special effects department never makes up for a story that tastes more like cheap ramen noodles.

Gerard Butler Stars in Violent, Stupid ‘Olympus Has Fallen’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Antoine Fuqua’s “Olympus Has Fallen” (or “Die Hard in the White House”) is a stupid, exploitative movie that wants to be “Call of Duty: Black Ops” in film form but ends up more like one of its countless, ineffective rip-offs. There are moments of goofy, B-movie fun (certainly more of them than in the much-worse “A Good Day to Die Hard”) but not enough to get over the brutal nonsense that makes up most of this action flick.

Adam Fendelman: ‘The Dark Knight Rises’ Realizes Nolan’s Trifecta: One of History’s Greatest Trilogies

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No-Spoiler Promise!) – In a Hollywood test tube, pour one part Michael Bay and his pure “Transformers” eye candy plus another part Quentin Tarantino with his rich writing and masterful characters. The resulting mutation is Christopher Nolan and his near-perfect Batman conclusion – “The Dark Knight Rises” – to one of the greatest trilogies of all time.

Brian Tallerico: ‘The Dark Knight Rises’ Gives Fans Epic Conclusion to Beloved Trilogy

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With “The Dark Knight Rises”, Christopher Nolan epically follows through on most of the themes he set up in “Batman Begins” and “The Dark Knight” with amazing technical skill and an ambitious sense of scope. No one can deny the effort and intensity of this closing chapter of the most acclaimed superhero saga in the history of film.

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  • Happy Christmas

    CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.

  • reno 911 front.png

    CHICAGO – The oughts was the era of the workplace mock-doc comedy, with shows like “The Office” and “Reno 911!” born into a time where TV viewers were excited to see see fake realities about the crumminess of a job. While this series has been available in separate season collections previously, “Reno 911!” is now available in a complete series set, one that boasts a grand amount of special features content in spite of some lacking comedy in the actual show.

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