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Ralph Fiennes

‘The Grand Budapest Hotel’ is Built by Wes Anderson

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The distinct and strangely alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.

Mediated Performances Highlight Alternative Story of Charles Dickens’ Personal Life

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

After years of enlivening adapted work in front of the camera and on the stage, only recently has the prolific actor Ralph Fiennes taken to directing films; in 2011 he gave the world a version of Shakespeare’s “Coriolanus,” which included the odd treat of watching Gerard Butler espouse the Bard’s words from his mouth, and a sporadically-lauded performance from Vanessa Redgrave.

‘Skyfall’ is Enjoyable, Transitional James Bond Romp

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – James Bond is the world’s most enduring super spy, beginning with Ian Fleming’s classic spy novels, up to a celebration of 50 years in the movies. Daniel Craig returns as Bond, James Bond in the latest film ‘Skyfall,’ which blends familiar 007 actions with psychological transitions.

James Bond Returns in Stunning, Spectacular ‘Skyfall’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “Skyfall” is a gorgeous, action-packed, superbly structured piece of modern filmmaking. It is not only one of the best James Bond movies in the five-decade history of the beloved character but it’s one of the best action movies of the last decade. Sam Mendes’ film is smart, sexy, dangerous, and, most stunningly of all, beautiful.

Loud, Boring ‘Wrath of the Titans’ Deserves Godly Vengeance

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – 2010’s “Clash of the Titans” was a surprising box office smash, making almost $500 million worldwide. That kind of money demands a sequel, but what to call it? “Clash of the Titans 2” wouldn’t be exciting enough but it should sound similar. How about “Smash of the Titans”? “Flash of the Titans”? “Bash of the Titans”? They ultimately settled on “Wrath of the Titans,” although “Trash of the Titans” or “Crap of the Titans” would have been more accurate.

Ralph Fiennes Modernizes Shakespeare in ‘Coriolanus’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The plays of William Shakespeare, influencing culture and morality for over 400 years, continue to open themselves up to new interpretations and settings. Ralph Fiennes directs and stars in a film version adaptation of “Coriolanus,” set against the modern day machinations of politics and war.

It All Ends With Satisfying ‘Harry Potter and the Deathly Hallows: Part 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – So this is how it ends – not with a whimper but with a big, magical bang. After a decade of captivating movie audiences worldwide, will “Harry Potter and the Deathly Hallows – Part 2” appease the fans who have been eagerly anticipating the end of the saga of the boy who lived? It almost certainly will.

‘Harry Potter and the Deathly Hallows: Part 1’ is the Darkest, Loneliest Potter Film Yet

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – While “Harry Potter and the Deathly Hallows: Part 1” is the most murky and forlorn Potter film yet, its most grave battle is the internal question between the corporate and creative types. Did the splitting of a single finale film into two parts truly improve on its ability to impart this grand tale or was it purely for financial reaping? From what we see in part one of the seventh film in this franchise, it turns out the answer is a lot of both.

‘Clash of the Titans’ Bores More Often Than Thrills

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The unjustified remake of the ’80s camp-fest “Clash of the Titans” may have been re-purposed for the trend of 3-D but its performances are still tragically 2-D and its plot practically see-through.

Riveting, Must-See ‘The Hurt Locker’ is Flawless Filmmaking

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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