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Chris Pratt

Big Laughs Await in Sly, Fun ‘The LEGO Movie’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The funniest movie in a long while features no human beings, just animated bland faces among interlocking plastic bricks, the toys which inspired the film. “The LEGO Movie” never takes itself seriously, which means huge laughs for the audience.

Though a Failed Comedy, ‘Delivery Man’ Shows Vince Vaughn’s Lesser-Seen Dramatic Side

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Has Vince Vaughn peaked?

Since hit films like “Swingers” and “Wedding Crashers,” critical flops like “Couples Retreat” and “The Dilemma” have shown he’s fighting an uphill battle to find redemption. While “Delivery Man” isn’t his re-breakout role, it does show you a lesser-seen side: his drama instead of his comedy.

Channing Tatum’s ‘10 Years’ Resuscitates High School For 50 Worthwhile Minutes

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “10 Years” unintentionally backfires by proving that a real-life Hollywood couple – Channing Tatum and his actual spouse of three years Jenna Dewan-Tatum – has less on-screen chemistry than two actors who’ve practically never met.

Darkly Comic Jason Segel in ‘The Five-Year Engagement’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There are some major laughs in “The Five-Year Engagement,” good old fashion you-can’t-breathe laughs. But it is also dark and serious at times, and makes some surprising contemporary statements regarding coupling. Jason Segel and Emily Blunt portray the engaged couple.

Anna Faris Falls Flat in Awful ‘What’s Your Number?’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Why can’t anyone figure out how to use Anna Faris effectively? She’s got some of the best comic timing of any actress working today but she can’t find a good script in which to display it. Take her latest venture, the misogynistic, creepy, and just BAD “What’s Your Number?,” a pale excuse for a chick flick that should look even more ghostly in light of the similarly-themed and far-superior “Bridesmaids” earlier this year.

Topher Grace Goes to 1980s in ‘Take Me Home Tonight’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Nostalgia films need a couple of elements to make them work. First, instant recognition with the era, and second, a reason to go there. “Take Me Home Tonight” lacks both characteristics, and lead actor Topher Grace can’t seem to light a fire under the rest of it.

‘Jennifer’s Body’ a Bloody, Out-of-Body Dud For Oscar-Winning ‘Juno’ Scribe Diablo Cody

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – For Oscar-winning “Juno” writer Diablo Cody, writing “Jennifer’s Body” with “Transformers” star Megan Fox and “Mamma Mia!” star Amanda Seyfried as the two lead women was as much of an out-of-body experience as Charlize Theron’s against-type role in 2003’s “Monster”.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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