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Bobby Cannavale

A Perfect Paul Rudd, Michael Peña Bring Often-Overlooked Humor to ‘Ant-Man’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In 1989, Rick Moranis played a scientist father in “Honey, I Shrunk the Kids” who accidentally shrinks kids to the size of insects. But dating back to a first appearance in 1962, Marvel Comics first published the Ant-Man character. His persona was the superhero alias of the scientist Hank Pym after inventing a substance that allowed him to shrink himself.

Fresh Blast of Funny From Melissa McCarthy in ‘Spy’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It can be argued that Melissa McCarthy, with a film a year and a TV sitcom still running, is topping out on exposure. But as long as she teams with writer/director Paul Feig, as she did on “Bridesmaids” and “The Heat,” she will continue to be an original comic force. Their latest is “Spy.”

Imagine What Could Have Been for ‘Danny Collins’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Danny Collins” is a shoulda-woulda-coulda film. It was inspired by the true story of a John Lennon letter acquired by a musician 40 years after he was suppose to to have received it, and then re-imagined as a cheap soap opera, punctuated by far superior John Lennon songs.

Uneven ‘Annie’ Makes Some Very Bad Decisions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The diabetes-inducing Broadway musical “Annie” does not deserve two film versions – including the newest release – especially since both are tortuous and somewhat dark. The “modern” version even eliminates most of the strength that “Annie” possessed on stage, its chipper songs.

Notoriety Triggers the Breaking Point in ‘Lovelace’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was one of the strangest star-is-born stories in show business history. One porn film – “Deep Throat” – permeates the American consciousness at precisely the right time. The “lead” actress in the film becomes a household name – and then becomes a victim of it – in ‘Lovelace.’

‘Blue Jasmine’ Puts Woody Allen Back on Top

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The auteur Woody Allen is one of the most prolific post-studio-system directors, averaging one film a year for close to 40 years. His meditations on life have become part of the culture, and he brilliantly expresses himself once again – with help from Cate Blachett – in the emotional “Blue Jasmine.”

Jason Statham Steers Convoluted Tale as ‘Parker’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Jason Statham “character” has served the actor well through a substantial action movie career. But as situations to fit his stoic British kick-ass persona start to drift away, Statham is left with messy narratives like in his new film “Parker,” co-starring Jennifer Lopez.

Paul Giamatti, Amy Ryan Rock in Fantastic ‘Win Win’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Writer/Director Thomas McCarthy makes films with that very unique attribute in which the characters completely feel like they exist before the opening scene and after the credits roll. As he did in “The Station Agent” and “The Visitor,” he has told another unique story that is both moving and also believable at the same time, an increasingly-rare combination. “Win Win” is the first great film of 2011.

‘The Visitor’ Works Out America’s Demons Following Sept. 11, 2001

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – “The Visitor” is a subtle film. Created by the unique talent of writer and director Thomas McCarthy – who also generated the equally subtle world of “The Station Agent” – this new work explores the nature of who belongs where.

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  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.

  • Black White Love Play

    CHICAGO – The love story of a prominent Chicago celebrity couple becomes the basis for a metaphoric and tuneful celebration about courage and coming together. “The Black White Love Play: The Story of Chaz & Roger Ebert” – written and directed by Black Ensemble Theater’s Jackie Taylor – portrays the film critic and the civil rights lawyer in their time, but also creates an atmosphere of emotion through song, sorrow and jubilation.


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