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Bobby Cannavale

Imagine What Could Have Been for ‘Danny Collins’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Danny Collins” is a shoulda-woulda-coulda film. It was inspired by the true story of a John Lennon letter acquired by a musician 40 years after he was suppose to to have received it, and then re-imagined as a cheap soap opera, punctuated by far superior John Lennon songs.

Uneven ‘Annie’ Makes Some Very Bad Decisions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The diabetes-inducing Broadway musical “Annie” does not deserve two film versions – including the newest release – especially since both are tortuous and somewhat dark. The “modern” version even eliminates most of the strength that “Annie” possessed on stage, its chipper songs.

Notoriety Triggers the Breaking Point in ‘Lovelace’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was one of the strangest star-is-born stories in show business history. One porn film – “Deep Throat” – permeates the American consciousness at precisely the right time. The “lead” actress in the film becomes a household name – and then becomes a victim of it – in ‘Lovelace.’

‘Blue Jasmine’ Puts Woody Allen Back on Top

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The auteur Woody Allen is one of the most prolific post-studio-system directors, averaging one film a year for close to 40 years. His meditations on life have become part of the culture, and he brilliantly expresses himself once again – with help from Cate Blachett – in the emotional “Blue Jasmine.”

Jason Statham Steers Convoluted Tale as ‘Parker’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Jason Statham “character” has served the actor well through a substantial action movie career. But as situations to fit his stoic British kick-ass persona start to drift away, Statham is left with messy narratives like in his new film “Parker,” co-starring Jennifer Lopez.

Paul Giamatti, Amy Ryan Rock in Fantastic ‘Win Win’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Writer/Director Thomas McCarthy makes films with that very unique attribute in which the characters completely feel like they exist before the opening scene and after the credits roll. As he did in “The Station Agent” and “The Visitor,” he has told another unique story that is both moving and also believable at the same time, an increasingly-rare combination. “Win Win” is the first great film of 2011.

‘The Visitor’ Works Out America’s Demons Following Sept. 11, 2001

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – “The Visitor” is a subtle film. Created by the unique talent of writer and director Thomas McCarthy – who also generated the equally subtle world of “The Station Agent” – this new work explores the nature of who belongs where.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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