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Open Road Films

You’ll Be Counting the Minutes Until You Too Can Be ‘Home Again’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Seeing so many films on a daily basis, you would think that I would grow tired of them. I don’t. Instead, I begin to notice the same formulas in films, like the one in “Home Again”. Unfortunately for “Home Again” you’ll spend most of the film wondering just how much longer before you can be the same.

Lack of Cohesiveness, Intrigue Stymies ‘The Gunman’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – If you’re going to see a Sean Penn action movie, I guess “The Gunman” would be appropriate. As he and the filmmakers inject some reality in the usual motivations, the puzzle pieces don’t connect well and in the end are not that interesting. That is not to say that the film is bad.

Disturbingly Refreshing, Jake Gyllenhaal in ‘Nightcrawler’ is an Anti-Hero You Can’t Stop Watching

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “No one talks like that,” I kept thinking to myself about this noir thriller. But that said, “Nightcrawler” is driven by just about the most entertaining dialogue from one person I’ve seen all year.

Jon Favreau’s Anti-Popcorn Project ‘Chef’ Still Mild

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – By the time of his 2011 box office blitzkrieg otherwise known as “Cowboys & Aliens,” the product that indie director-turned-Hollywood habitue Jon Favreau had been hocking as a “popcorn salesman” had gone stale – to use a showbiz term from Nicholas Ray’s” In A Lonely Place.”

B-Level Story Sinks Finely Animated ‘The Nut Job’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It feels like when any studio besides Disney or Pixar does an animated film with celebrity voices, there is a little less lacquer on it. What the other two remember, and others forget, is that it starts with a script. All the toon landscapes in the world can’t fix a dull story.

Ashton Kutcher Portrays the Ethereal Hero in ‘Jobs’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The revolution in technology, that has allowed the world to change completely in just two generations, was led in part by dreamers in a garage. One of those “Edisons” was Steve Jobs – the creator of Apple Computers – portrayed with an inventor’s instinct by Ashton Kutcher.

Despite Sci-Fi Intrigue, ‘The Host’ Favors Teen Romance

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Author Stephenie Meyer can’t help herself. Despite breaking out from the “Twilight” saga and creating science fiction in her latest novel, it still features angst-ridden teen romance, which becomes less important versus the bizarre other worldly infiltration in the film adaptation of “The Host.”

Horror Spoof ‘A Haunted House’ is Pretty Horrible

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – There is one funny line in “A Haunted House,” the new horror spoof starring Marlon Wayans. It’s “my foot has a cramp, don’t touch it.” The rest of the film is stunningly without humor, relying on a series of flatulence, sex and failed jokes to dauntingly fill the long, long 95 minutes.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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