CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.
CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
CHICAGO – In the latest HollywoodChicago.com Hookup: TV with our unique social giveaway technology, we have 60 pairs of advance-screening TV passes up for grabs to NBC’s new TV thriller “Crisis” starring Gillian Anderson (“The X-Files”)!
CHICAGO – It’s been a year of updatings that has seen venerable characters like Norman Bates and Hannibal Lecter solidly re-envisioned by the small screen. So how fare the Gecko Brothers? Not all that great sadly. This overly slick redux of the fantastic film “From Dusk Till Dawn” (1997) not only suffers from pretty people syndrome but borrows so heavily from the original film that it feels less like homage and reboot than redress and reshoot.
CHICAGO – The theme of Season Two is ‘unraveling’. Lies unravel, best laid plans unravel, loyalties unravel and most of all Norma and Norman Bates unravel in increasingly spectacular fashion. This pulpy re-imagining of the Bates family history is easily one of the best things on TV and the premiere episode of Season two isn’t afraid to take advantage of how attached audiences have become to the Twitchy pair and their assorted and very troubled friends and neighbors.
CHICAGO – After becoming one of last season’s don’t miss shows “Hannibal” has it’s work cut out for it on several fronts. Forget the fact that the bar is set so high for the writing and the acting and visual aesthetics. Underneath all that is another far more daunting task. Show Runner Bryan Fuller has already let leak that Season Four is when the events depicted in the novels and previous film adaptations will start to enter the mix – culminating in a season that imagines events taking place after the film “Hannibal” (2001).
CHICAGO – For over 30 years, Women in Film has been building a global community of film, television, advertising, digital and on-screen media professionals. The Chicago chapter is a vibrant part of that community, and on January 23rd Women in Film Chicago began the new year with their 2014 Kick-Off Party.
FX has built a loyal following for the twisted genius of their animated hit “Archer,” which returns tonight, January 13, 2014 to start an incredibly strong series of episodes that spoof “Miami Vice” under the banner of “Archer Vice.” While “Archer” seems to garner more fans every year (helped ably by the popularity of the episodes on Netflix), FX has struggled to find it a partner. Maybe an obnoxious, fat, gay white rapper is just what Sterling Archer needed.
There’s a fine line between old-fashioned and stale. Some will look at “Chicago PD,” NBC’s spin-off of “Chicago Fire” from mega-producer Dick Wolf, and say that it’s the kind of tried-and-true cop show that they don’t really make that often any more. I would say there’s a reason they don’t make them any more.
CBS’s “Intelligence” is going for smart & sexy but too often ends up silly. “LOST” star Josh Holloway casts a charismatic shadow but his character is a cipher in the premiere, a walking computer chip that lacks the personality for a show like this to work.
What a great time to be a TV junkie. NBC’s “Community” is back in prime form with the return of Dan Harmon. HBO launches the incredible “True Detective” on Sunday and “Sherlock” returns stateside next weekend. There’s enough quality out there that FX’s “Justified” could get lost in the shuffle. Don’t let that happen.