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Lady Gaga Characterizes the Title ‘A Star is Born’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Stefani Joanne Angelina Gemanotta, also known as Lady Gaga, is the only reason to see the latest iteration of ‘A Star is Born.’ The luminous stage presence that propelled her to music superstardom is present in her major film debut, taking the female lead reins from Judy Garland and Barbra Streisand.

Stylish ‘Crazy Rich Asians’ is a Bit Too Soap Opera

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Crazy Rich Asians” is not meant to be anything but glitzy fun, but in the midst of the glamour, excessive wealth and beautiful people, there is a plot that ventures into Soap Opera land, and eventually becomes a distraction for the reason an audience goes to this show… to fantasize about living large.

‘The Meg’ is a Proud $150 Million Dollar ‘B’ Movie

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – From their golden age from the 1950s to the 1970s, the infamous “B” movies – usually the third feature at the drive-in, or playing in the crumbling old theaters – were targeted to teens. In the modern era, these films are now given $150 million dollar budgets and wide releases. Case in point, the shark movie called “The Meg.”

Fun and Uproarious ‘Teen Titans Go! To the Movies’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If a good laugh is golden, then “Teen Titans Go! To the Movies” is worth its weight. Although the meta-make-fun of superhero movies have already been done almost to death (Deadpool?), the Titans have been doing it on the Cartoon Network since 2013, and take it to a new level in their movie adventure.

Full Glory of Cinema Art Resides in 70mm ‘2001: A Space Odyssey’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It is the 50th Anniversary of director Stanley Kubrick’s “2001: A Space Odyssey,” and the film has lost none of its power, freshness and thought process, in a journey of truth that ponders existence. The film has been recently restored in 70mm (overseen by director Christopher Nolan) and now is on a roadshow tour, including Chicago’s historic Music Box Theatre.

Alicia Vikander Has a Case of the Runs in ‘Tomb Raider’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Movies based on video games are almost never good… even the best ones only ascend to the level of “barely watchable.” By that measure, “Tomb Raider” can be considered a modest success since it didn’t make me want to claw my eyes out. I have to confess I never saw either of the first two films with Angelina Jolie, but after watching this I’m not actually clamoring at the bit to catch up.

Strange ‘15:17 to Paris’ Can’t Make the Connection

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – What’s up with Clint Eastwood, and why in the Sam Hill did he attach himself as director to this film? Also, why was the decision made to use the actual rescuers as the actors in a true terrorist train incident? Nothing adds up in the strangely disconnected “15:17 to Paris.”

‘12 Strong’ Wins the Battle as it Loses the War

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – In the 16 years of the U.S. and Afghanistan war, which began a month after Sept. 11, 2001, the U.S. has spent trillions of dollars and lost 2,400 soldiers. The story of that war’s first battle, “12 Strong,” would probably be more revelatory if we weren’t still there.

Up Up & Away for ‘Justice League’ From DC Comics

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In the America of truth, justice and comic book movies, the DC brand – featuring hero icons Superman, Batman and Wonder Woman – has lagged behind their rivals at Marvel Studios. “Justice League” fills that gap admirably, after the slam-bam summer of Wonder Woman.

Thin Story a Contrast to Visuals in ‘Blade Runner 2049’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It comes down to compelling an audience with a story riff that’s a hook. “Blade Runner 2049” doesn’t possess either the riff or the hook, but what it does do is create a dystopian world that is beautiful in its bleakness, and unsettlingly weird in its twists and turns.

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