LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.
HollywoodChicago.com Blu-Ray Reviews
CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.
Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.
Peter Weir’s “Picnic at Hanging Rock” is a mesmerizing film. Most who go into it know that it tells a tragic (possibly true) story with no resolution. And so it becomes a slow burn, in which the atmosphere and dread of unseen danger hangs thick in every frame.
Who of our modern filmmakers will justify lavish, career-spanning box sets in the next generation (presuming there is such a thing and we’re not 100% digital)? We’ve seen Oliver Stone, Martin Scorsese, and Alfred Hitchcock sets in recent years but who will get the same treatment in ten or twenty years?
CHICAGO—The word “melodrama” has become a lazy one for too many critics who use it as a way to dismiss films that deal with extreme emotions. For a film to be melodramatic, it must be flawed. Any fan of Douglas Sirk will tell you that this is a fallacy. Melodrama can be a heartbreaking, genuine form of artistic expression, arguably never more so than in Sirk’s most beloved film, “All That Heaven Allows,” recently released on Criterion Blu-ray.
CHICAGO – “Game of Thrones” is over and you’ve already binged “Orange is the New Black,” what are you supposed to do now? There are a few interesting new programs this season – FX’s “Tyrant” & “The Strain,” HBO’s “The Leftovers,” CBS’s “Extant,” and a few more – but it’s also a great time to catch up what you may have missed with new Blu-ray and DVD releases. There are five TV-to-Blu-ray releases this month that might warrant a look.
CHICAGO – With regards to its production, Paul W.S. Anderson’s “Pompeii” is a period film based on current trends, honoring both the apocalypse fascination spurred by the Mayans’ recent miscalculation, and the ascent of Harrington’s star power via the popular TV series “Game of Thrones.” With neither guaranteeing a strong future for themselves through Pompeii, there is at least some bankability in Harrington’s abs.
Remember when we were growing up? We were LUCKY if we got a decent animated film once a year in the ’80s and we spent most of our Saturday mornings watching total junk that now passes as nostalgia. We can say that music, film, or even literature was better when we younger. Animation? No way. Just take a look at four recent releases of the animated form that perfectly show the breadth and remarkable quality of the medium (and, yes, animation is a “form,” not a “genre.”)
CHICAGO – “Non-Stop” gave audiences more than just “‘Taken’ on a plane” when it opened last February, and showed that the inflight experience is efficiently vulnerable action thriller territory. With audiences having taken a break from commercial airline chaos after 9/11, “Non-Stop” brought viewers back into the peril of an unsafe flight, but with a leading hero by Liam Neeson at the helm. Nevertheless, even when knowing how the flight ends, “Non-Stop” is a refined thriller that still has a grip on one’s attention in a second viewing as well.