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Katherine Heigl

B-Level Story Sinks Finely Animated ‘The Nut Job’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It feels like when any studio besides Disney or Pixar does an animated film with celebrity voices, there is a little less lacquer on it. What the other two remember, and others forget, is that it starts with a script. All the toon landscapes in the world can’t fix a dull story.

Turn Down the Invitation to ‘The Big Wedding’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “The Big Wedding” begins with Robert De Niro performing a particular love making maneuver on Susan Sarandon, and is caught in the act by Diane Keaton. What could have happened in a cutting-edge indie feature in 1981 is the basis of a lame bit in 2013, and so it goes for the rest of the film.

Katherine Heigl’s ‘One For the Money’ Was Made For No One

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Just under five years ago, Katherine Heigl became a decently known actress in the film world for her role as Alison in the Judd Apatow film “Knocked Up.” After having been in the show “Grey’s Anatomy” for a few years, Heigl had finally broke into the world of cinema, and seemed to have a decent amount of comedy acting skills. Now, several years and a few bad movies in a row, Heigl seems to be desperately holding on to whatever career she still has left.

Shallow, Garish ‘New Year’s Eve’ Ruins Your Holiday

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “New Year’s Eve” is so garish and manipulative that it doesn’t really qualify as a film – it’s a product, no more an actual movie than a Hallmark card is a piece of poetry. It is corporate junk at its worst, so shallow that it’s almost remarkably thin, as if director Garry Marshall were trying to win a contest for lack of subtlety.

‘Life as We Know It’ is More Schlock From Katherine Heigl

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Since her breakthrough “comic” role in “Knocked Up,” Katherine Heigl has a line-up of titles that almost reads like parody – “27 Dresses,” “The Ugly Truth,” “Killers” – but there had to be some audience or they really wouldn’t exist. She makes just enough box office to keep working, which explains the latest and maybe worst of the bunch, “Life As We Know It”

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  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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