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Katherine Heigl

B-Level Story Sinks Finely Animated ‘The Nut Job’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It feels like when any studio besides Walt Disney or Pixar does an animated film with celebrity voices, there is a little less lacquer on it. What the other two remember, and others forget, is that it starts with a script. All the toon landscapes in the world can’t fix a dull story.

Turn Down the Invitation to ‘The Big Wedding’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “The Big Wedding” begins with Robert De Niro performing a particular love making maneuver on Susan Sarandon, and is caught in the act by Diane Keaton. What could have happened in a cutting-edge indie feature in 1981 is the basis of a lame bit in 2013, and so it goes for the rest of the film.

Katherine Heigl’s ‘One For the Money’ Was Made For No One

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Just under five years ago, Katherine Heigl became a decently known actress in the film world for her role as Alison in the Judd Apatow film “Knocked Up.” After having been in the show “Grey’s Anatomy” for a few years, Heigl had finally broke into the world of cinema, and seemed to have a decent amount of comedy acting skills. Now, several years and a few bad movies in a row, Heigl seems to be desperately holding on to whatever career she still has left.

Shallow, Garish ‘New Year’s Eve’ Ruins Your Holiday

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “New Year’s Eve” is so garish and manipulative that it doesn’t really qualify as a film – it’s a product, no more an actual movie than a Hallmark card is a piece of poetry. It is corporate junk at its worst, so shallow that it’s almost remarkably thin, as if director Garry Marshall were trying to win a contest for lack of subtlety.

‘Life as We Know It’ is More Schlock From Katherine Heigl

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Since her breakthrough “comic” role in “Knocked Up,” Katherine Heigl has a line-up of titles that almost reads like parody – “27 Dresses,” “The Ugly Truth,” “Killers” – but there had to be some audience or they really wouldn’t exist. She makes just enough box office to keep working, which explains the latest and maybe worst of the bunch, “Life As We Know It”

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  • Ride Along with Ice Cube

    CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.

  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

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