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Seth Rogen

Funny But Familiar Trip to Frat House in ‘Neighbors’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I have a high tolerance for Seth Rogen, but he begins to show some signs of creative exhaustion in “Neighbors,” a raunchy frat house comedy that’s never quite as funny as it should be. Rogen’s onscreen persona here comes dangerously close to schtick.

‘This is the End’ Turns Stoner Fantasy Into Comedy

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When David Gordon Green’s “Your Highness” hit fans of its writer/director and talented stars like a really bad pot hangover, its creators admitted that the project began life as a stoned what-if scenario. “Hey, let’s make a pot-laced fantasy movie, dude.” Seth Rogen & Evan Goldberg’s “This is the End” clearly had similar origins.

‘The Guilt Trip’ Never Reaches a Destination

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There has to be something wrong with a movie that by the end, the thought is ‘how did they get a parking spot in San Francisco?’ and ‘how much does that house cost?’ “The Guilt Trip,” with Seth Rogen and Barbra Streisand, is a dispirited exercise in wasted potential.

‘For a Good Time, Call...’ Has a Stellar Ringtone

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Rising above the usual romantic comedy dreck is an admirable achievement in today’s film landscape. “For a Good Time, Call…” is not only funny and unconventional, but focuses on the relationship between the two lead woman characters, portrayed by Lauren Miller and Ari Graynor.

‘Take This Waltz’ with Michelle Williams, Seth Rogen

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Sarah Polley’s “Take This Waltz” both illustrates its director’s uniquely confident vision as a filmmaker and her room to grow as a screenwriter. Despite the best efforts from a very talented cast led by a fearless performance from Michelle Williams, Polley’s film is frustrating in its inability to reflect the real world.

Geekdom Celebrated in ‘Comic-Con Episode IV: A Fan’s Hope’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Say the words “San Diego Comic-Con” to a certain comic geek subculture and suddenly heart rates are up and anticipation is in the air. The documentary maker Morgan Spurlock (“Supersize Me”) seeks to capture that feeling in “Comic-Con Episode IV: A Fan’s Hope,” with help from Seth Rogen, Kevin Smith, Stan Lee, Thomas Jane, Josh Whedon, Seth Green and Matt Groening.

Joseph Gordon-Levitt, Seth Rogen in Moving ‘50/50’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Jonathan Levine’s “50/50” is a daring blend of buddy comedy, light romance, family drama, and, oh yeah, cancer movie. The tightrope act of a script by Will Reiser is elevated in remarkable ways by one of the best ensembles of the year, led ably by the great Joseph Gordon-Levitt, doing career-best, Oscar nomination-worthy work.

More or Less Same Formula in ‘Kung Fu Panda 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Good and evil, chase and fight. Those are the two basic formulas that dominate “Kung Fu Panda 2,” the sequel to the very popular first film. That redundancy is helped by the spirituality of an animated panda and some spectacular 3D rendering.

Simon Pegg, Seth Rogen Have Close Encounter in Fun ‘Paul’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When having fun at the movies seems in short supply, the British film duo of Simon Pegg and Nick Frost come along with one of their goofy, comic tributes to our cinematic heritage. After zombies in “Shaun of the Dead” and action heroes in “Hot Fuzz.” Pegg and Frost take on the extra terrestrials in “Paul.”

‘The Green Hornet’ Overly Limelights a Cavalier But Thrilling Seth Rogen

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “The Green Hornet,” which could have been titled “The Seth Rogen Show,” is an uneven mix between a stroke of comic book genius and a self-righteous attempt at being both comedy and drama. The untidy story is wrapped inside a messy box that’s a portion of what it successfully is and what it should have been.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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