CHICAGO – Before “Snow Angels”, “Prince Avalanche”, or even “The Sitter”, director David Gordon Green flexed his film school muscles in his unabashed inauguration, “George Washington”. Eying its body, the 2000 film shares qualities other first-timers huff when trying to be taken seriously by the arthouse crowd. Especially with the films that were assuredly motivated by Green’s work like 2012’s “Beasts of the Southern Wild”, “George Washington” celebrates storytelling instruments like whimsical young voiceover, shots that are equally distinct & questionable, and the raw potential of non-actors.
CHICAGO – Hayao Miyazaki is a living legend and his company Studio Ghibli should be as revered as Disney. They have given moviegoers around the world so many incredible gifts such as “Spirited Away,” “My Neighbor Totoro,” and “Princess Mononoke.” When Mr. Miyazaki only produces or writes instead of directing, such as with the new “The Secret World of Arrietty,” the results are less magical than otherwise but there’s still a lot to like in this gentle, sweet family film.
CHICAGO – One of Dr. Seuss’ most famous storybooks has finally been granted life with its self-titled animated feature “Horton Hears a Who!,” which involves a morally righteous elephant, philosophical timbre and Dr. Seuss’ ingenious lyrical rhymes.