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Nicolas Cage

Captivating Tale of Primal Manhood in David Gordon Green’s ‘Joe’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – This week in movies about men we have “Joe”, a wild drama about Texas males at their most primal. It is the newest film from director David Gordon Green, and features Nicolas Cage in some of his finest work.

Nicolas Cage, John Cusack Get Buried in ‘The Frozen Ground’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There have been a depressing number of bad career choices on the part of Oscar winner Nicolas Cage and once-great actor John Cusack in recent years. Anyone seen “Seeking Justice,” “Stolen,” “The Numbers Station,” or “The Factory”? Someone owes you an apology.

‘The Croods’ Rip a Funny Page Out of Pre-History

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Good cartoons know that we’re in on the joke, that all the surreal actions will satisfy our basic funny bone. Great cartoons give us a little bit more, an empathy or a story that really goes beyond expectations. “The Croods” is a great cartoon, and a wonderful achievement in animation evolution.

Nicolas Cage, Guy Pearce Find Boredom While They’re ‘Seeking Justice’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “Seeking Justice” must have been such a juicy proposition on paper. Director Roger Donaldson is coming off his most interesting film in years (“The Bank Job”), Nicolas Cage is overdue for a quality drama, Guy Pearce is one of our most interesting actors, and the supporting cast includes a number of interesting actors with recent TV hits – Jennifer Carpenter (“Dexter”), Harold Perrineau Jr. (“Lost”), and January Jones (“Mad Men”). The only thing you’ll be wondering during this inert alleged thriller is where it all went wrong.

‘Ghost Rider: Spirit of Vengeance’ Begs Audience to Accept Mediocrity, Stupidity

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – At the very least, I can take some comfort in knowing that the YouTube montage of Nicolas Cage freaking out has some new (and golden) material. As cursed as Cage’s Johnny Blaze character is by the demon inside him known as the Ghost Rider in the newest chapter, “Ghost Rider: Spirit of Vengeance,” so is this movie cursed by unthinkable dialogue, lackluster acting, obnoxious camerawork, and confusing editing.

Horrendous ‘Trespass’ With Nicolas Cage, Nicole Kidman

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Joel Schumacher’s “Trespass” represents a new low for the often divisive and (lately) horrendous director of such gems as “The Number 23,” “The Phantom of the Opera,” “Bad Company,” “8MM,” “Batman & Robin,” and “Batman Forever.” The film is getting a very-brief theatrical release before essentially going straight-to-DVD, leading a few industry watchers to question if perhaps one of the stars had it in his or her contract that the film had to run in movie houses. Unless you have a similar contract requiring you see it, avoid at all costs.

Life's a Grind For Nicolas Cage in ‘Drive Angry 3D’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Muscle cars, kick-ass dudes and foxy ladies have been staples of the grindhouse since Detroit had a pulse. Nicolas Cage joins that parade in the over-the-top road picture called “Drive Angry 3D,” lest we mistake it for the 2nd dimension.

Forged in Myth, Nicolas Cage Shines in ‘The Sorcerer’s Apprentice’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The fantasy action epic has joined the animated film as the go-to genre for summer films. Disney joins the fray with “The Sorcerer’s Apprentice,” featuring magic, special effects action and a deep mythology, spiced with Nicolas Cage doing a slightly warped version of a King Arthur-era apprentice for Merlin the Magician.

Wildly Entertaining ‘Kick-Ass’ Lives Up to Its Title

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With a half dozen superhero movies every year that feel as if they were created by a Hollywood blockbuster machine, it’s so refreshing to see one with its own distinct, subversive personality like Matthew Vaughn’s “Kick-Ass”.

In Purely Exploiting Gratuitous Violence, Paul W.S. Anderson’s ‘Death Race’ Remake Kills All Comedic Value

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – While 2008’s “Death Race” makes no secret about being a remake of 1975’s “Death Race 2000” with David Carradine as the title character Frankenstein and Sylvester Stallone as his archrival Machine Gun Joe Viterbo, what’s perhaps less obvious but still clear is how the film steals from others.

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  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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