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Spike Walters

Final Chapter of ’Fifty Shades Freed’ for Masochists Only

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Only masochists and other gluttons for punishment will be heading to the theaters for “Fifty Shades Freed.” But be sure to grab a blindfold, because you can at least get 40 winks while the incompetent and unintentionally hilarious Fifty Shades Trilogy reaches its deadly dull climax.

‘The Commuter’ is a Fun, Butt-Kicking Good Time

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Sometimes you’re just in the mood for a good old Liam Neeson ass-kicker… and “The Commuter” fits that bill. It asks, damn near requires, you to leave your brain safely at the station, but it moves too fast that you don’t have much time to think about it. It’s ludicrous, dumb and fun entertainment for January.

‘Hostiles’ with Christian Bale is a Big Bad Bore

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Hostiles” is an exercise in prestige western boredom. It’s competently made, but its as lifeless as a scalped corpse on the prairie. It’s long on pretty western locales and impressive facial hair, but short on story, characters, or much of anything else to help keep your eyelids from closing.

Margot Robbie in ‘I, Tonya’ Can’t Stick the Landing

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – We have arrived at point where yesterday’s trash TV has become today’s critical darling of the film festival circuit. As the trailers proclaim, “I, Tonya” desperately wants to be the “‘Goodfellas’ of Figure Skating,” but one of the biggest problems I had is that it’s just trying too hard.

Matt Damon in ‘Downsizing’ Offers Few Small Pleasures

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Downsizing” is an interesting premise that doesn’t ultimately go anywhere interesting. Part of the problem is that writer/director Alexander Payne doesn’t seem to know what kind of a movie he wants it to be… it’s part cerebral Woody Allen futuristic comedy, part sci-fi social satire about Midwestern malaise, and winds up failing at both.

Woody Allen Has Run Out of Ideas with ‘Wonder Wheel’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Woody Allen emptied out his junk drawer of discarded script ideas and somehow managed to convince Kate Winslet to star in it. That’s the gist of the latest “serious Woody” entry in the Oscar winner’s long running career. Woody Allen has had some timeless triumphs, but lately he’s been more about quantity than quality.

Visual Excellence Aside, ‘Coco’ is Just So-So

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Coco” bears all the visual hallmarks of the Pixar Studio at its best, however its story bears the more recent symptoms of creative exhaustion. In this story, a young boy named Miguel (voice of Anthony Gonzalez) aims to follow his heart and pursue music, but toe tapping tunes have been strictly forbidden in his home.

Mustache Has More Than ‘Murder on the Orient Express’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Murder On The Orient Express” is a movie that is never quite as interesting as the main character’s mustache. Kenneth Branagh directs and stars as Agatha Christie’s most famous detective, Hercule Poirot. While it is a departure from the source novel, Branagh sports silver streak facial hair of audacious eccentricity.

Stellar Cast & Director Fail to Build ‘The Snowman’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The biggest mystery in “The Snowman” is what in the world talented actors like Michael Fassbender, Chloe Sevigny, Toby Jones, and Val Kilmer are doing here in the first place. Fassbender’s character’s name alone should have sent off alarm bells. This is based on a series of detective novels featuring detective Harry Hole, and characters have voluminous opportunities to repeat it, although with nary a snigger.

No New Frights in Store for ‘Happy Death Day’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Happy Death Day” has a “Groundhog Day” gimmick, but that’s about it, offering essentially an ‘80’s style slasher flick with the hope that with a little cosmetic window dressing will help it appeal to an audience in 2017… Live, Die, Repeat. That’s all this film offers with precious few improvements to justify its existence.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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