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Mick Jagger

Blu-ray Review: James Brown Biopic ‘Get on Up’ Has No Soul

Get On Up

CHICAGO – When people yawn about the dullness of movies based on life stories, they are certainly referring to films like “Get On Up,” an absurdly uninteresting portrait of a key figure of music, or so this movie claims. From the “The Help’s” vanilla visionary Tate Taylor, this 140-minute ode to James Brown is a half-assed argument about his nonpareil greatness, and full evidence that the biopic may be the weakest genre in film.

Film Review: Background Singers Get Up Front in ‘20 Feet from Stardom’

20 Feet from Stardom

CHICAGO – One the great points in “20 Feet from Stardom” is that often in our favorite hit songs, we sing along to the background singers rather than the lead vocal (“Sweet home Alabama, Where the skies are so blue…”). These classic songsters come front and center in “20 Feet from Stardom.”

Ignoring Old Show-Business Rules, Rolling Stones Brightly ‘Shine a Light’

Charlie Watts, Keith Richards, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (1)

CHICAGO – In The Beatles versus The Rolling Stones debate (which no one under 40 would have), I’m decidedly in the corner of the Fab Four. I do acknowledge, however, the sheer stamina and staying power of The Rolling Stones.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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