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Mick Jagger

Blu-ray Review: James Brown Biopic ‘Get on Up’ Has No Soul

Get On Up

CHICAGO – When people yawn about the dullness of movies based on life stories, they are certainly referring to films like “Get On Up,” an absurdly uninteresting portrait of a key figure of music, or so this movie claims. From the “The Help’s” vanilla visionary Tate Taylor, this 140-minute ode to James Brown is a half-assed argument about his nonpareil greatness, and full evidence that the biopic may be the weakest genre in film.

Film Review: Background Singers Get Up Front in ‘20 Feet from Stardom’

20 Feet from Stardom

CHICAGO – One the great points in “20 Feet from Stardom” is that often in our favorite hit songs, we sing along to the background singers rather than the lead vocal (“Sweet home Alabama, Where the skies are so blue…”). These classic songsters come front and center in “20 Feet from Stardom.”

Ignoring Old Show-Business Rules, Rolling Stones Brightly ‘Shine a Light’

Charlie Watts, Keith Richards, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (1)

CHICAGO – In The Beatles versus The Rolling Stones debate (which no one under 40 would have), I’m decidedly in the corner of the Fab Four. I do acknowledge, however, the sheer stamina and staying power of The Rolling Stones.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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