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Mick Jagger

Blu-ray Review: James Brown Biopic ‘Get on Up’ Has No Soul

Get On Up

CHICAGO – When people yawn about the dullness of movies based on life stories, they are certainly referring to films like “Get On Up,” an absurdly uninteresting portrait of a key figure of music, or so this movie claims. From the “The Help’s” vanilla visionary Tate Taylor, this 140-minute ode to James Brown is a half-assed argument about his nonpareil greatness, and full evidence that the biopic may be the weakest genre in film.

Film Review: Background Singers Get Up Front in ‘20 Feet from Stardom’

20 Feet from Stardom

CHICAGO – One the great points in “20 Feet from Stardom” is that often in our favorite hit songs, we sing along to the background singers rather than the lead vocal (“Sweet home Alabama, Where the skies are so blue…”). These classic songsters come front and center in “20 Feet from Stardom.”

Ignoring Old Show-Business Rules, Rolling Stones Brightly ‘Shine a Light’

Charlie Watts, Keith Richards, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (1)

CHICAGO – In The Beatles versus The Rolling Stones debate (which no one under 40 would have), I’m decidedly in the corner of the Fab Four. I do acknowledge, however, the sheer stamina and staying power of The Rolling Stones.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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