CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – Chris Rock isn’t a huge writer/director, but when he does make a film, it’s an event to consider. For example, he made black president tale “Head of State” long before then-senator Barack Obama was even considered for the real-life role, and whether behind the stand-up mic or in an interview, he’s a voice to be reckoned with.
CHICAGO – Chris Rock wants you to take him seriously, so he has made a comedy with inconsistent laughs, and a nod towards the weird fishbowl lives that today’s celebrities endure. It’s a rare film where the last part is stronger than the first few acts, a mishmash that is “Top Five.”
CHICAGO – Sex sells, sure, but the film-noir sequel “Sin City: A Dame to Kill For” makes you feel dirty if you’re left thinking that’s enough.
CHICAGO – When the first “Sin City” (2005) was released – based on the graphic novels by Frank Miller – the conversion of a film to a noir-like comic book atmosphere was pioneering. The sequel “Sin City: A Dame to Kill For” has heightened that look, but this time has much less to say.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the highly anticipated Frank Miller and Robert Rodriguez sequel “Sin City: A Dame to Kill For”!
CHICAGO – How can one man bring down a ruthless industry? By building a union that never backs down, because he never backed down. ‘Cesar Chavez’ depicts the United Farm Workers union organizer in the 1960s who sought justice against virtual slave conditions for immigrant labor, assuring his place in history.
CHICAGO – The balancing act between reality and drama in based-on-truth narratives is as delicate as walking the high wire. Pour in too much drama, and a story can feel like a soap opera. “Gimme Shelter,” although earnestly and achingly performed, has that sudsy protocol.
CHICAGO – The opportunity for a new film to also take up a cause is one of the advantages of the movies as mass art. “Gimme Shelter” is the based-on-truth story of a runaway pregnant teen named Apple (Vanessa Hudgens) who needs the titular sanctuary to give birth. Director Ron Krauss leads an all-star cast, including Ann Dowd (“Compliance”), who portrayed the real-life facilitator of the shelter for single mothers, Kathy DiFiore.
CHICAGO – Vanessa Hudgens, the former teen actor from the “High School Musical” franchise, has a brand new bag. Besides shocking movie audiences with her memorable performance in last year’s “Spring Breakers,” Hudgens deconstructs her glam image in the new film, “Gimme Shelter.”
CHICAGO – It may sound harsh but “Trance” will be a mere footnote in the career of Danny Boyle. It’s neither one of his best but also far from his worst film. The mega-talented director of “Shallow Grave,” “Trainspotting,” and “127 Hours” brings his confident style to the film but the convoluted script turns in on itself so many times that I think even Boyle got a little bored with it. Rosario Dawson overplays but Vincent Cassel once again intrigues and James McAvoy delivers. It will be a footnote for them all.