We’re back! Did you survive the Oscars? Are you looking for something to watch on Blu-ray, DVD, or streaming service? We have a few options for you released right at the end of February or the beginning of March, including a couple great animated shows, a Best Picture nominee, an FX sitcom, and a mega-blockbuster. Pick your favorites. All five are worth a look.
CHICAGO – The balancing act between reality and drama in based-on-truth narratives is as delicate as walking the high wire. Pour in too much drama, and a story can feel like a soap opera. “Gimme Shelter,” although earnestly and achingly performed, has that sudsy protocol.
CHICAGO – The opportunity for a new film to also take up a cause is one of the advantages of the movies as mass art. “Gimme Shelter” is the based-on-truth story of a runaway pregnant teen named Apple (Vanessa Hudgens) who needs the titular sanctuary to give birth. Director Ron Krauss leads an all-star cast, including Ann Dowd (“Compliance”), who portrayed the real-life facilitator of the shelter for single mothers, Kathy DiFiore.
CHICAGO – Vanessa Hudgens, the former teen actor from the “High School Musical” franchise, has a brand new bag. Besides shocking movie audiences with her memorable performance in last year’s “Spring Breakers,” Hudgens deconstructs her glam image in the new film, “Gimme Shelter.”
CHICAGO – It may sound harsh but “Trance” will be a mere footnote in the career of Danny Boyle. It’s neither one of his best but also far from his worst film. The mega-talented director of “Shallow Grave,” “Trainspotting,” and “127 Hours” brings his confident style to the film but the convoluted script turns in on itself so many times that I think even Boyle got a little bored with it. Rosario Dawson overplays but Vincent Cassel once again intrigues and James McAvoy delivers. It will be a footnote for them all.
CHICAGO – Danny Boyle’s “Trance” is an undeniably well-made thriller that works back in on itself a few too many times for disbelief to stay suspended but delivers enough escapist entertainment to be considered a success. It’s totally ridiculous and yet never boring, propelled by the quick-cut style of the man who brought similar momentum to “Shallow Grave,” “Trainspotting,” and “28 Days Later.”
CHICAGO – “10 Years” unintentionally backfires by proving that a real-life Hollywood couple – Channing Tatum and his actual spouse of three years Jenna Dewan-Tatum – has less on-screen chemistry than two actors who’ve practically never met.
HollywoodChicago.com Hookup: 40 Pairs of ‘10 Years’ Tix With Channing Tatum From ‘Magic Mike’ MakersSubmitted by HollywoodChicago.com on September 15, 2012 - 7:26pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of the new ensemble comedy “10 Years” with Channing Tatum and Rosario Dawson!
CHICAGO – Back in 1993, Bullfrog Productions developed a game called “Syndicate”; an isometric real-time tactical game where the player is in charge of a corporation that sends cyborg agents on deadly missions. The player’s goal was to lead his agents on missions to benefit their own syndicate corporation and harm competing syndicates.
CHICAGO – “Zookeeper” is a weird, weird movie. It was heavily advertised as a family film about talking animals but it’s more of a Kevin James romantic comedy and even features some dark material about the treatment of animals. In other words, it’s wildly inconsistent and sometimes just strange. Any movie that can feature a Gorilla getting a brain freeze at TGIFridays next to a standard romantic comedy love triangle next to an abuse subplot straight out of “Rise of the Planet of the Apes” is a weird, weird movie. James and Rosario Dawson are so incredibly likable that they keep it watchable but the movie just never clicks because it never picked an audience and, therefore, satisfies none of them.
CHICAGO – Not being familiar with the Kevin James filmography really helped in assessing his latest, “Zookeeper.” His appeal is very evident, and the filmmakers do some funny bits with the old “talking animal” routine.