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Anthony Hopkins

Red-Carpet Video Interview: ‘Transformers: The Last Knight’ Star Anthony Hopkins

CHICAGO – Adam Fendelman of HollywoodChicago.com interviews Hollywood legend Sir Anthony Hopkins at the red-carpet premiere of “Transformers: The Last Knight” in Chicago on June 20, 2017. Recently nicknamed T-Hop, we discuss his obsessive-compulsive disorder, feeding his brain, geeking out on history and astronomy and more!

Red-Carpet Video Clip: Optimus Prime Voice Artist Peter Cullen for ‘Transformers: The Last Knight’

Optimus Prime voice artist Peter Cullen for Transformers: The Last Knight

CHICAGO – “Transformers: The Last Knight” held its star-studded premiere in Chicago on June 20, 2017. On the red carpet, Adam Fendelman of HollywoodChicago.com asked Optimus Prime voice artist Peter Cullen to jump into character and say the line in the trailer: “For my world to live, yours must die.”

Red-Carpet Video Interview: ‘Transformers: The Last Knight’ Writers Ken Nolan, Matt Holloway, Art Marcum

Transformers: The Last Knight writers Ken Nolan, Matt Holloway, Art Marcum

CHICAGO – “Transformers: The Last Knight” held its star-studded premiere in Chicago on June 20, 2017. On the red carpet, Adam Fendelman of HollywoodChicago.com interviewed writers Ken Nolan, Matt Holloway and Art Marcum about their writers’ room process.

Red-Carpet Video Clip: Megatron Voice Artist Frank Welker for ‘Transformers: The Last Knight’

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CHICAGO – “Transformers: The Last Knight” held its star-studded premiere in Chicago on June 20, 2017. On the red carpet, Adam Fendelman of HollywoodChicago.com asked voice artist Frank Welker to jump into character to voice Decepticons including Megatron and Soundwave.

Film Review: ‘Transformers: The Last Knight’ is Bizarrely Enjoyable

CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course.

Blu-ray Review: Steven Spielberg’s Progressive Slave Drama ‘Amistad’

Amistad

CHICAGO – Before Hollywood grappled with the unforgiving intensity of “12 Years a Slave,” they championed Steven Spielberg’s powerful film “Amistad,” years earlier, now available for the first time on Blu-ray. Densely comparing the movies is a difficult task considering their different perspectives, but they do stand as interesting bookends with how Hollywood has dealt with the American atrocity of slavery in their films.

Film Review: Daring Vision of Darren Aronofsky’s Epic ‘Noah’

Darren Aronofsky’s controversial “Noah” exists somewhere between the sentimental, straight-faced versions of biblical tales that Hollywood has been producing for decades and more auteur-driven fare like Martin Scorsese’s “The Last Temptation of Christ”.

Film Review: Forced ‘Thor: The Dark World’ Sequel Lacks Passion, Sci-Fi Basis

CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.

Film Review: ‘Thor: The Dark World’ is Little More Than Marketing For ‘The Avengers 2’

CHICAGO – Few major films have felt less creatively inspired and more commercially conceived than Alan Taylor’s dull “Thor: The Dark World,” a wannabe blockbuster with all the personality and ingenuity of a straight-to-DVD sequel.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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