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Christopher Nolan

Film Feature: The 10 Best Films of 2014, By Nick Allen

CHICAGO – Just like every year before it, there were no perfect films in 2014. I do not see this as a negative thing - reaching for greatness is far more electrifying than the plateau of achieving it, as presented in a hustler’s opus like ‘Whiplash,” which specifically eschews applause after a drum solo that just may have been perfection.

Film Review: ‘Interstellar’ is Supposed to Mean Something, But What?

Interstellar 2

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Film Review: Miscast Crew Spoils Christopher Nolan’s ‘Interstellar’ 

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Blu-ray Review: The Internet is For Real in Goofy ‘Transcendence’

Transcendence

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

Film Review: Meditative ‘Transcendence’ Also Artificially Intelligent

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset.

Film Review: ‘Captain America: The Winter Soldier’ Pledges Allegiance to Strong Action, Twists

CHICAGO – In record-breaking time, even for Marvel, a comic book character has had their existence (basically) rebooted. The arc may be continued from the previous film, and some of the actors may reappear, but this take on Captain America is bonafide divergent.

Blu-ray Review: Great Gift Set Comes Early in ‘The Dark Knight Trilogy’

The Dark Knight Trilogy

CHICAGO – Believe it or not, it’s already time to start holiday shopping, which means it’s the time of year that studios release lavish gift sets for their most beloved films. No one is better at this holiday season product design than Warner Bros., who has released great Limited Edition sets for “Willy Wonka & The Chocolate Factor,” “Ben-Hur,” and the “Harry Potter” films in recent years. The first one this year is one of the best I’ve seen, a gorgeously packaged and beautifully accompanied collection for “The Dark Knight Trilogy,” including awesome physical collectibles and 90 minutes of new special features.

Interview: Joseph Gordon-Levitt Invokes Christopher Nolan in Directorial ‘Don Jon’ Debut

CHICAGOJoseph Gordon-Levitt is a unique dichotomy. Part independent and part mainstream film actor, he’s managed to succeed as both. And with this Friday’s release of “Don Jon,” add to that list a first-time writer and director. But none of it could have been without Christopher Nolan.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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