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Michael Caine

Film Review: Elegant, Delicate Emotions Are Forged in ‘Youth’

CHICAGO – When a film tries to be philosophical, it easily can devolve into heavy handedness. But the exception is the latest from writer/director Paolo Sorrentino, the richly presented “Youth.” It treads upon many definitions of the title, and lands upon all of them, because that’s life.

Film Review: ‘The Last Witch Hunter’ at Least is Hilariously Awful

CHICAGO – You will see many many better movies this year, but you’re unlikely to see one quite this batshit crazy. I’ll give Vin Diesel this much credit, at least he’s created a memorably awful blockbuster instead of one that simply fades off into the moonlight.

Blu-ray Review: Christopher Nolan’s Wondrous Space Odyssey ‘Interstellar’

Interstellar

CHICAGO – Far more marvelous than imperfect, “Interstellar” is the answer for moviegoers who have lost the zeal for massive films, citing a lack of ideas, heart, or general passion for filmmaking. Director Christopher Nolan’s 2014 space odyssey is an event of beauty, with the rare experience of showing viewers something they haven’t seen before.

Film Review: ‘Kingsman: The Secret Service’ is Fun, Very Odd

CHICAGO – Part James Bond, part absurdist adventure, “Kingsman: The Secret Service” is nonetheless a romp, with Colin Firth handling the Brit spy role with a natural aplomb. If the notion of a super secret rogue spy agency under a London tailor shop is something that sounds intriguing, that doesn’t even begin to tell the tale.

Film Review: ‘Interstellar’ is Supposed to Mean Something, But What?

Interstellar 2

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Film Review: Miscast Crew Spoils Christopher Nolan’s ‘Interstellar’ 

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Blu-ray Review: Great Gift Set Comes Early in ‘The Dark Knight Trilogy’

The Dark Knight Trilogy

CHICAGO – Believe it or not, it’s already time to start holiday shopping, which means it’s the time of year that studios release lavish gift sets for their most beloved films. No one is better at this holiday season product design than Warner Bros., who has released great Limited Edition sets for “Willy Wonka & The Chocolate Factor,” “Ben-Hur,” and the “Harry Potter” films in recent years. The first one this year is one of the best I’ve seen, a gorgeously packaged and beautifully accompanied collection for “The Dark Knight Trilogy,” including awesome physical collectibles and 90 minutes of new special features.

Interview: Dave Franco Creates Magic in ‘Now You See Me’

CHICAGO – Dave Franco is James Franco’s brother. Since that’s now out of the way, Dave Franco is also a writer, actor, regular on the “Funny or Die” website and co-star in the newly released film, “Now You See Me.” Franco plays a streetwise magician, and in his career he keeps bringing the magic.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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