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Whoopi Goldberg

Film Review: Kate Hudson Reveals Hell in ‘A Little Bit of Heaven’

CHICAGO – Kate Hudson portrays a dying woman in “A Little Bit of Heaven,” and the film is so annoying that her extinguishment can’t come fast enough. The film insults both living and dying, and virtually everything in between, and brings along Lucy Punch, Kathy Bates, Gael Garciá Bernal, Peter Dinklage and Whoopi Goldberg for the funeral.

Blu-Ray Review: Steven Spielberg’s ‘The Color Purple’ Gets HD Upgrade

The Color Purple

CHICAGO – Alice Walker’s novel “The Color Purple” won the Pulitzer Prize for Fiction in 1983 and became a highly-acclaimed film just two years later from what was then-seen as an unlikely directorial choice in Steven Spielberg. Despite the controversy, the film went on to be nominated for a stunning eleven Academy Awards and is now one of the first Spielberg works to get the HD upgrade.

Film Review: Cluttered, Melodramatic ‘For Colored Girls’ Never Comes Together

For Colored Girls
HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Ntozake Shange’s choreopoem “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf” was a landmark event in 1974, giving voice to a segment of society rarely seen on the stage. It took 34 years for a filmmaker to tackle this remarkable work in film form and Tyler Perry’s “For Colored Girls” retains some of the inherent power of it source and features some strong performances in the process but never finds the narrative cohesion needed to translate it to modern movie audiences.

Interview: Thandie Newton on the Passion of ‘For Colored Girls’

CHICAGO – The expansive and intuitive prose poetry of Ntozake Shange’s “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf” comes to life in Tyler Perry’s film adaptation “For Colored Girls.” Thandie Newton portrays Tangie (color Orange) and saturates the character with a precise truth.

Blu-Ray Review: Robert Altman’s ‘The Player’ Has Lost None of Its Power

The Player

CHICAGO – Robert Altman’s “The Player” is one of the more important and influential films in the life of this film critic. It came out at a time when the film industry was in a bit of a slump and stood out as an original, creative, mesmerizing vision that I feel helped usher in a period of such productivity in the ’90s. It is a brilliant masterpiece that has lost none of its power almost twenty years after its release.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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