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Viola Davis

Film Feature: Global Hacking of ‘Blackhat’ is the Future of Action Movies

Blackhat 2015 Hemsworth, Computer, Viola Davis

CHICAGO – “Blackhat” is a hacker’s actioner of high-tech and low-tech genre jolts, but its construction provides a thrill of its own - that of witnessing the next era of the action movie.

Film Review: Hacker Thriller ‘Blackhat’ Has a Finger on the Enter Key

CHICAGO – A speedy film project can take about a year from conception to final cut; director Michael Mann’s wired-in thriller “Blackhat” might as well have been written, shot, and cut last month. Not just because of its epilogue to the rise and defeat of the Guardians of Peace, but for its modernity.

Blu-ray Review: James Brown Biopic ‘Get on Up’ Has No Soul

Get On Up

CHICAGO – When people yawn about the dullness of movies based on life stories, they are certainly referring to films like “Get On Up,” an absurdly uninteresting portrait of a key figure of music, or so this movie claims. From the “The Help’s” vanilla visionary Tate Taylor, this 140-minute ode to James Brown is a half-assed argument about his nonpareil greatness, and full evidence that the biopic may be the weakest genre in film.

HollywoodChicago.com Hookup: 60 Pairs of Passes to ‘Blackhat’ With Chris Hemsworth

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 60 pairs of advance-screening movie passes up for grabs to the highly anticipated new thriller “Blackhat” starring Chris Hemsworth from writer and director Michael Mann (“Heat,” “Ali,” “Public Enemies”)!

Film Review: Lives Interact in ‘The Disappearance of Eleanor Rigby: Them’

CHICAGO – There was something blank within “The Disappearance of Eleanor Rigby: Them,” although it dealt with the issues of loss, family and reconciliation. The all star cast, including Jessica Chastain, James McAvoy and William Hurt, add their performing spins to the story.

Film Review: James Brown Bio ‘Get On Up’ Stuck in a Funk

Get On Up

CHICAGO – “Get On Up” contains one dynamite performance trapped in a frustratingly mediocre movie. James Brown’s life and music offer a wealth of material to work with, that doesn’t necessarily adhere to the conventions of a formulaic musical biopic.

Blu-ray Review: Riveting ‘Prisoners’ Connects Even on Repeat Viewing


Denis Villeneuve’s “Prisoners” seems to have been lost in the awards season conversation and that’s a shame. Not only is Richard Deakins’ cinematography some of the best in his career but Jake Gyllenhaal and Hugh Jackman’s emotional work here deserves more credit than it’s been getting. Newly released on a gorgeous Blu-ray (with, sadly, scant special features), “Prisoners” is the kind of adult drama that seems certain to pick up more fans on the home market. It’s really worth your time.

Film Review: ‘Ender’s Game’ Loses Personality in Journey From Book to Film

CHICAGO – Gavin Hood’s “Ender’s Game” may be the best example of a current problem with science fiction: From “Oblivion” to “After Earth” to most of “Star Trek Into Darkness” and now this adaptation of the Orson Scott Card book, modern science fiction has become so depressingly sterile as to drain the genre of most of its joy.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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