CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
CHICAGO – “Get On Up” contains one dynamite performance trapped in a frustratingly mediocre movie. James Brown’s life and music offer a wealth of material to work with, that doesn’t necessarily adhere to the conventions of a formulaic musical biopic.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 20 pairs of advance-screening movie passes up for grabs to the highly anticipated new music biography “Get on Up” starring Chadwick Boseman (“42,” “Draft Day”) as James Brown!
CHICAGO – Kevin Costner has defined a career in sports themed movies. From the Iowa farmer building a baseball diamond in “Field of Dreams,” to “Bull Durham,” to “For the Love of the Game,” he exemplified game day heroics. Yet being an NFL executive in “Draft Day” isn’t quite as exciting.
CHICAGO – “World’s not so simple any more. Guess it never was.” I wish “42” wasn’t so simple either. Because the story of the amazing accomplishments of Jackie Robinson sure were anything but simple. He was not only chosen to be the man who would break the color barrier but he was asked to do so peacefully, never displaying the anger that 99 out of 100 men would in the same situation.
CHICAGO – It took baseball, that noble sport, to recognize in 1947 what the universe had dictated since day one – all persons are equal and all deserve an equal chance. Jackie Robinson was the first African-American to break the “color line” in baseball, and the story of that achievement is magnificently told in “42.”
CHICAGO – Written by the man who gave the world Keyser Soze in his Oscar-winning script for “The Usual Suspects,” NBC’s “Persons Unknown” is a summer mystery mini-series not unlike last year’s “Harper’s Island” or a mini-“Lost” in that the team behind it want people talking about the questions of the show over summer barbecues.