Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
We are surrounded by fiction about teenagers that treats both its subjects and its target audience like idiots. So few filmmakers understand the problems and emotions of young people that when a film as great as “The Spectacular Now” comes along (my #13 of 2013), it’s a small miracle. Reminiscent of the best of Cameron Crowe, James Ponsoldt’s adaptation of Tim Tharp’s novel (from a script robbed of an Oscar nod by Scott Neustadter & Michael H. Weber) is a fantastic drama about a kid realizing that he may be peaking in high school. The Blu-ray is well-accompanied by a fantastic commentary from Ponsoldt, 20 minutes of deleted scenes, and featurettes.
“Short Term 12” is a special film. If through some true miracle, Brie Larson’s name is announced on Oscar nominations morning, that sound you hear is me screaming in childish glee. She certainly deserves it for this daring, honest piece of work, one that dares to suggest that there are numerous ways to stop the emotional bleeding. It could be rap, it could be art, it could be taking a bat to a car, or it could be love. Destin Cretton won the Chicago Film Critics Association Award for Most Promising Filmmaker and it was one of this year’s winners of which I was most proud we were recognizing. This is a special movie.
A fictional folk singer who feels real, a real moneymaker who feels fictional, a young woman dealing with her own wounds by helping to heal those of others, and a student discovering her sexuality through the first passionate relationship of her life — 2013 was one of the best years for lead performances in decades.
CHICAGO – Joseph Gordon-Levitt is a unique dichotomy. Part independent and part mainstream film actor, he’s managed to succeed as both. And with this Friday’s release of “Don Jon,” add to that list a first-time writer and director. But none of it could have been without Christopher Nolan.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of advance-screening movie passes up for grabs to “Don,” which is the first film written and directed by Joseph Gordon-Levitt!
CHICAGO – There are certain jobs that I know that I could not do not because of the physical requirements but the emotional baggage I would take home with me at the end of the day. The brilliant, moving “Short Term 12” captures one of these jobs – people who look out for abandoned kids, many of them abused, addicted, and troubled the point of pure heartbreak.
CHICAGO – Sundance hit (and Chicago Critics Film Festival Closing Night film) “The Spectacular Now” finally opens in Chicago tomorrow, August 9, 2013 and the film’s already-impressive legion of fans is only going to grow as this stunning achievement hits more markets around the country.
CHICAGO – HollywoodChicago.com hooks you up to see the very best movies (large and indie) for free before anyone else can. While we’ve been doing that since 2008, in this rare Hookup we offer up advance-screening tickets to a film that has been specifically handpicked by Chicago film critics.
CHICAGO – I’ve said for two seasons now that Showtime’s “United States of Tara” isn’t as good as it should be, partially because the writing and parts of the ensemble don’t live up to the Emmy-winning work by its stunningly talented star, Toni Collette, but I might have been wrong. The start of season three, debuting tonight, Mar. 28th, 2011 on Showtime, hints at a broader program with a deeper ensemble, but I’m not sure any more that this is a good thing.
CHICAGO – I personally think the show is slightly inferior to its hour-partner “Nurse Jackie,” but Toni Collette does such spectacular work on “United States of Tara” that her performance alone demands you tune in. Like Edie Falco on “NJ,” the incredibly talented Collette takes a challenging role that could have turned into caricature in the hands of a lesser actress and makes it genuine.