CHICAGO – Lori Petty will never be predictable, nor put into some show business box. The free-wheelin’ Ms. P applies her expansive performance skills to the role of Lolly – a guest spot that turned into a recurring character – on Netflix’s hot series “Orange is the New Black,” which released its third season on June 12th, 2015.
CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.
PARK CITY, Utah – There are still some films to be discussed in my Sundance coverage. Here’s write-ups of “Digging for Fire,” “Entertainment,” and “Results,” which featured the return of festival-approved directors, albeit heading in different directions.
CHICAGO – Gritty, funky and quote-worthy, this re-imagining of “The Gambler” – from a 1970s source film – is one of Mark Wahlberg’s best performances. His addicted-to-gaming soul has roots in other frustrations, and the actor is willing to communicate the whole range of emotions.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 100 pairs of advance-screening SUBURBAN CHICAGO movie passes up for grabs to the new film “The Gambler” starring Mark Wahlberg!
We are surrounded by fiction about teenagers that treats both its subjects and its target audience like idiots. So few filmmakers understand the problems and emotions of young people that when a film as great as “The Spectacular Now” comes along (my #13 of 2013), it’s a small miracle. Reminiscent of the best of Cameron Crowe, James Ponsoldt’s adaptation of Tim Tharp’s novel (from a script robbed of an Oscar nod by Scott Neustadter & Michael H. Weber) is a fantastic drama about a kid realizing that he may be peaking in high school. The Blu-ray is well-accompanied by a fantastic commentary from Ponsoldt, 20 minutes of deleted scenes, and featurettes.
“Short Term 12” is a special film. If through some true miracle, Brie Larson’s name is announced on Oscar nominations morning, that sound you hear is me screaming in childish glee. She certainly deserves it for this daring, honest piece of work, one that dares to suggest that there are numerous ways to stop the emotional bleeding. It could be rap, it could be art, it could be taking a bat to a car, or it could be love. Destin Cretton won the Chicago Film Critics Association Award for Most Promising Filmmaker and it was one of this year’s winners of which I was most proud we were recognizing. This is a special movie.
A fictional folk singer who feels real, a real moneymaker who feels fictional, a young woman dealing with her own wounds by helping to heal those of others, and a student discovering her sexuality through the first passionate relationship of her life — 2013 was one of the best years for lead performances in decades.
CHICAGO – Joseph Gordon-Levitt is a unique dichotomy. Part independent and part mainstream film actor, he’s managed to succeed as both. And with this Friday’s release of “Don Jon,” add to that list a first-time writer and director. But none of it could have been without Christopher Nolan.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of advance-screening movie passes up for grabs to “Don,” which is the first film written and directed by Joseph Gordon-Levitt!
CHICAGO – There are certain jobs that I know that I could not do not because of the physical requirements but the emotional baggage I would take home with me at the end of the day. The brilliant, moving “Short Term 12” captures one of these jobs – people who look out for abandoned kids, many of them abused, addicted, and troubled the point of pure heartbreak.