CHICAGO – The power of creativity, and the risk of live theater, is all on display through Nothing Without a Company’s latest amazing journey, “Down the Moonlit Path.” The interactive stage experience refreshes the soul and realizes the joy of life.
CHICAGO – Finding the adult button and hitting “on” is becoming more of a challenge as the tech generation morphs into their thirtysomething era. Comedian Nick Kroll (“Kroll Show,” “The League”) ponders this situation in the new film “Adult Beginners,” a primer on growing up and moving on.
CHICAGO – The film festival circuit is not for the faint of heart. Two young Spanish filmmakers – Geoffrey Cowper and Jesús Lloveras – are making their way across the U.S., as they promote their film “Day Release” (Tercer Grado). The pair started out in California – with a couple of film festivals there – and then stopped in Chicago, for the 31st Chicago Latino Film Festival.
CHICAGO – Golf and gambling go together like the 19th hole and tall tales. The green grass of the course isn’t the same without a little wagering, and the new film ‘The Squeeze’ – written and directed by Terry Jastrow – follows the game from small town America to the big stage of Las Vegas.
CHICAGO – In receiving the official BADASSS Award at the 2015 Chicago International Movies & Music Fest (CIMMFest), legendary rock documentary maker Julien Temple simply said, “Badass is not a phrase we use in England. I’ve never been called a badass, I prefer ‘enfant terriblé,’ with a hope toward ‘monstre sacré.’”
CHICAGO – Who are we anyway, when as inventors of artificial intelligence, we can create a new wave of thought process? That is what writer – and now director – Alex Garland (“28 Days Later…,” “Sunshine”) has been grappling with his entire career. His directorial debut is the stunning and prescient “Ex Machina.”
CHICAGO – What does anyone understand about regimes outside their political or moral universe? The setting is Iran, the time is during their controversial 2009 elections and the medium is dance as expression. Combining those elements was the challenge for director Richard Raymond, in his debut film “Desert Dancer.”
CHICAGO – Director Noah Baumbach is a master in creating cinematic atmosphere. Whether it’s the adolescent mood of “The Squid and the Whale,” the weird loneliness of “Frances Ha” or his screenplays with director Wes Anderson, Baumbach generates a worthy emotional imprint. His latest film is “While We’re Young.”
CHICAGO – The painting “Portrait of Adele Bloch-Bauer” was created by Austrian artist Gustav Klimt, and was considered Austria’s greatest artwork. The remarkable journey of the painting, stolen from its original Jewish family by the Nazis during World War II, is the basis for the new film, “Woman in Gold,” directed by Simon Curtis.
CHICAGO – Dan Fogelman is a familiar behind-the-scenes creator, having wrote scripts and screenplays for “Cars,” “Fred Claus,” “Tangled,” “The Guilt Trip” and “Crazy, Stupid, Love.” He takes on his first directorial effort, the story of “Danny Collins,” a faded rock star who finds redemption through a lost letter from John Lennon.
CHICAGO – There were basically two careers for Pierre Morel, before he directed the mega-hit “Taken,” starring Liam Neeson, and afterward. The French-born cinematographer, camera operator and now director is releasing “The Gunman,” an action film that stars Sean Penn. Like “Taken,” the motivations for the action are based in the real world, and “The Gunman” travels to Africa, London and Barcelona on his way to redeeming his soul.