CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – When the first strains of “My Sharona” by The Knack come out of the car speakers of a dude going to college in 1980, as “Everybody Wants Some!!” began, my do-you-remember-when sense tingled. The film’s story, unfortunately, could not match that feeling of nostalgia.
CHICAGO – There are two exclamation points behind the new Richard Linklater (“Boyhood”) film, “Everybody Wants Some!!,” and that could also express the exclamation energy of the cast. Will Brittain, Tyler Hoechlin and Blake Jenner portray college students before the new fall semester in 1980.
CHICAGO – In 1966, a breakthrough book about the movies was released, entitled “Hitchcock/Truffaut.” A new documentary explores the actual interviews that were conducted between French new wave director Francois Truffaut and the legendary Alfred Hitchcock, that would become that book.
CHICAGO – There were basically two careers for Pierre Morel, before he directed the mega-hit “Taken,” starring Liam Neeson, and afterward. The French-born cinematographer, camera operator and now director is releasing “The Gunman,” an action film that stars Sean Penn. Like “Taken,” the motivations for the action are based in the real world, and “The Gunman” travels to Africa, London and Barcelona on his way to redeeming his soul.
CHICAGO – One of the specialities of HollywoodChicago.com is the film and personality interview. The majority of these chats came through me, Patrick McDonald, and I couldn’t narrow it down to a top 10 or even a top 20. For 2014, there were 25 top interviews, and it is a diverse range of voices.
CHICAGO – I remember when Richard Linklater’s “Boyhood” was just a rare credit on IMDb, a project listed as “in production” for many years, while the director’s other completed work passed through. The curiosity of Linklater’s unparalleled experiment was certainly fulfilled by its release, which comes full circle today as it hits home video, an award season epilogue in sight.
CHICAGO – ‘Boyhood,’ director Richard Linklater’s story of a boy maturing from age 6 to age 18 – using the same actor over 12 years – was designated Best Picture by the Chicago Film Critics Association (CFCA) at a ceremony on December 15th, 2014.
CHICAGO – The best movies of 2014 were on display as the Chicago Film Critics Association (CFCA) announced their nominees in several categories of film excellence. Leading the pack was director Alejandro G. Inarritu’s “Birdman,” Wes Anderson’s “The Grand Budapest Hotel” and newcomer Damien Chazelle’s “Whiplash.” The best in each category will be announced on Monday, December 15th.
CHICAGO – Life is made up of moments, as the philosophy of the new Richard Linklater film wants to convey. What formulates a person’s ideals and soul, born in a certain place and time? Over 12 years, the writer and director created a fictional family using the same actors in “Boyhood.”
CHICAGO – Director Richard Linklater is a great American storyteller. In 2002, he embarked on a filmmaking journey that would be twelve years long, and conceived a fictional tale of a boy as he ages from age six to 18. Using the same actors over all those years, the result is the epic and philosophical “Boyhood.”