CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.
Michael Kenneth Williams
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new dramatic thriller “Kill the Messenger” starring Jeremy Renner based on the remarkable true story of Pulitzer Prize-winning journalist Gary Webb!
CHICAGO – Dwayne Johnson doesn’t just want to be The Rock. And perhaps he is more after all. Despite his professional wrestling fame, “Snitch” is Johnson’s plea to be respected as a true, dramatic actor.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of “Snitch,” which is inspired by true events and stars Dwayne “The Rock” Johnson!
HollywoodChicago.com Hookup: 10 Pairs of Chicago Passes to HBO’s ‘Boardwalk Empire’ Starring Steve BuscemiSubmitted by HollywoodChicago.com on September 13, 2011 - 2:39pm
CHICAGO – In our latest edition of HollywoodChicago.com Hookup: TV, we have 10 admit-two passes up for grabs to the VIP advance-screening Chicago party for season two of HBO’s “Boardwalk Empire” starring Steve Buscemi!
CHICAGO – With his unique and sometimes divisive career, writer/director Todd Solondz is something of a controversial figure in the world of independent cinema. Some people love him, others hate him, and very few fall in the middle. His new film, “Life During Wartime,” is unlikely to change his polarizing reputation.
CHICAGO – The long-delayed and highly-anticipated adaptation of Cormac McCarthy’s “The Road” has moments of stark beauty and a typically fantastic lead performance from Viggo Mortensen, but the film ultimately misses its mark as a whole piece, coming off numbing its bleak, repetitive view of the end of the world instead of inspiring emotionally or creatively.