CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – “Bridget Jones’s Baby” is the kind of geriatric sequel that makes you retroactively question whether the original film that inspired it was all that good to begin with – it’s less a film than a labored collection of contrived situations involving pregnancy and pratfalls. It’s not painfully unwatchable, but it’s unlikely to inspire anything remotely resembling amusement in its audiences.
CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 100 pairs of advance-screening movie passes up for grabs to the new dramedy “Men, Women & Children” from the “Juno” director starring Jennifer Garner and Adam Sandler!
An Oscar winner, a major Oscar nominee, two more pieces of Oscar bait, and a few movies that never got anywhere near Oscar. Welcome to What to Watch. We don’t play favorites. Oh, wait, yes we do. You should definitely rent or buy the titles on this first page. The second page is more optional.
CHICAGO – The world of creation, and the imagination behind it, gets an honorable and elegantly performed treatment in the fascinating “Saving Mr. Banks.” What seems like a “making of” film about the legendary “Mary Poppins,” becomes much more rich in symbolism and consideration.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 100 pairs of advance-screening tix up for grabs to the “Mary Poppins” backstory “Saving Mr. Banks” with Emma Thompson and Tom Hanks!
CHICAGO – It may not be a beautiful film but the latest attempt at cashing in on the “Twilight” craze, Richard LaGravenese’s “Beautiful Creatures,” recently released on Blu-ray and DVD, is surprisingly good-looking. The young leads show a lot more life than typical YA fare, the supporting cast is truly stellar, and the script from the author of “The Fisher King” and this weekend’s “Behind the Candleabra” has some interesting ideas about religion, fate, and maturity. It’s too long by some stretch and too many of the same ideas are hit repeatedly but when the supporting cast, including three Oscar winners, is allowed to do what they do best, it’s damn pretty to watch.
CHICAGO – The young adult horror/romance genre is running out of themes, could somebody please come up with a hunky Frankenstein monster? “Beautiful Creatures” uses witches as it’s premise, and features newcomers Alice Englert and Aiden Ehrenreich as the spell-crossed lovers.
CHICAGO – The peculiar genre of young adult supernatural fiction has produced collections that define popularity. The new film “Beautiful Creatures” is the latest adaptation that feature young lovers among the mystic spells. Newcomers Alice Englert and Aiden Ehrenreich portray that couple.
CHICAGO – Disney/Pixar’s “Brave” was largely dismissed by most critics when it was released in theaters this Summer, even if audiences did seem more engaged, pushing the flick to over half-a-billion dollars worldwide and making heroine Merida one of Halloween’s most common costumes. Domestically, the film made more than “WALL-E,” “Ratatouille,” or “Cars 2.” So why did critics let it go so easily?