Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
2001: A Space Odyssey
CHICAGO – Every film buff remembers the first time they laid eyes on director Stanley Kubrick’s memorable horror classic, “The Shining.” In the film, Scatman Crothers’ character warns young Danny, “There ain’t nothing in Room 237…so stay out.” Filmmaker Rodney Ascher has ignored that warning in his documentary, “Room 237,” and takes us inside one of the most analyzed films in cinema history.
CHICAGO – The mystery of Stanley Kubrick is one of his great attributes. He directed a scant 12 major films in a forty year career, each with its own genre-busting stamp. His work has inspired an overall passion for films, numerous analytical studies and a new documentary about the theories behind his 1980 masterpiece, “The Shining.” Rodney Ascher directs this strange and compelling film, “Room 237.”
CHICAGO – When film lovers hear the name of one of the great masters of the form — Stanley Kubrick — their mind usually races to one of his most famous flicks, whether it be “2001: A Space Odyssey,” “A Clockwork Orange,” “Dr. Strangelove,” “The Shining,” or even “Full Metal Jacket.” But where did one of our most beloved directors hone his craft? In a series of smaller films, two of which are now available in a single Criterion Blu-ray or DVD release — “The Killing” and “Killer’s Kiss.”
CHICAGO – “Patriotism is the last refuge of the scoundrel.” No film has as succinctly captured the truth of this brilliant Samuel Johnson quote as Stanley Kubrick’s masterful “Paths of Glory,” one of the best anti-war films ever made. It’s a work that often gets overlooked by the flashier projects like “2001: A Space Odyssey,” “A Clockwork Orange,” or “The Shining” that Kubrick would make later in his career, but it’s easily one the best works from one of history’s best directors and the Criterion Collection Blu-ray release of the film is another stunning beauty.
CHICAGO – “Dying would be the ultimate trip.” This line is uttered early on in “Enter the Void,” the extraordinary new film from Gaspar Noé, a director who enjoys referencing his previous work almost as much as his hero, Stanley Kubrick. This line pays subtle homage to the “2001: A Space Odyssey” poster prominently framed toward the end of Noé’s previous film, “Irreversible.”