CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – Far more marvelous than imperfect, “Interstellar” is the answer for moviegoers who have lost the zeal for massive films, citing a lack of ideas, heart, or general passion for filmmaking. Director Christopher Nolan’s 2014 space odyssey is an event of beauty, with the rare experience of showing viewers something they haven’t seen before.
CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water.
CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.
CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.
CHICAGO – Before Hollywood grappled with the unforgiving intensity of “12 Years a Slave,” they championed Steven Spielberg’s powerful film “Amistad,” years earlier, now available for the first time on Blu-ray. Densely comparing the movies is a difficult task considering their different perspectives, but they do stand as interesting bookends with how Hollywood has dealt with the American atrocity of slavery in their films.
CHICAGO – Hollywood celebrated its big night at the 86th Academy Awards, and the biggest news was the selfie photo that apparently broke Twitter. The stark film “12 Years a Slave” won Best Picture, and Ellen DeGeneres took the celebrity group selfie that immediately was Tweeted around the world, overloading the popular website.
While there is a likely Oscar-winner, a massive box set from HBO, and some true crowd-pleasers in this week’s What to Watch, it’s a bit of a downer compared to some more recent jam-packed weeks of Blu-ray and streaming greatness. We also couldn’t find an On Demand title this week worth mentioning, although Denis Villeneuve’s “Enemy,” starring Jake Gyllenhaal, hits DirecTV On Demand this Thursday and you can bet we’ll be there to check it out before a March theatrical release. Until then, rent or buy something below.
CHICAGO – It’s a Happy Birthday for Joe Manganiello. The “True Blood” hunk was born on December 28th in Pittsburgh, Pennsylvania, and has a red-hot career after co-starring last year in “Magic Mike,” with Channing Tatum and Matthew McConaughey. Manganiello was in Chicago recently meeting fans and signing his new book.
Film Review: Scorsese’s ‘The Wolf of Wall Street’ a Deliciously Gluttonous Inspection Into Our DemonsSubmitted by HollywoodChicago.com on December 26, 2013 - 6:09pm
CHICAGO – No matter how painfully bad it may be, I never walk out of a screening. It’s a professional rule I’ve set and keep it at all costs. But with Martin Scorsese’s latest stroke of genius, I experienced a kind of pain I don’t usually wrangle with: the survival of my bladder.
Jordan Belfort (Leonardo DiCaprio) lives completely, entirely in the moment. It’s not that there’s no tomorrow, there’s not even “later that same day” in his world.