CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 25 pairs of advance-screening movie passes up for grabs to the new film “Gold” starring Matthew McConaughey!
CHICAGO – Singing is something that everyone can do. I tend to do it while in the shower or sitting in traffic. I’ve been told I have the singing voice of an angel… of death. Okay, I’m exaggerating, but the point is that while everyone can sing, not everyone should. The same extends to creating films like “Sing,” which is loud but seldom harmonious.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the new animated comedy “Sing” starring Matthew McConaughey and Seth MacFarlane from the creators of “Despicable Me”!
CHICAGO – In our short lives, what do we most need? It’s a hard question to answer sometimes, but the new animated film “Kubo and the Two Strings” does a memorable job of answering the query. The journey of Kubo, like Dorothy in “The Wizard of Oz,” leads to a place where he needs to go.
CHICAGO – One of the great benefits of the new Golden Age of Animation has been the emergence of other studios…like Laika Entertainment, which has released “Coraline,” “ParaNorman” and “The Boxtrolls,” all nominated for Oscars. Travis Knight directs their latest stop-motion style animated film, “Kubo and the Two Strings.”
CHICAGO – The United States is still fighting the Civil War, which ended in 1865. The rebellious South has never completely given away its anger and sorrow for the changes the war has wrought on them. These larger themes are examined historically in the new film, “Free State of Jones.”
CHICAGO – Far more marvelous than imperfect, “Interstellar” is the answer for moviegoers who have lost the zeal for massive films, citing a lack of ideas, heart, or general passion for filmmaking. Director Christopher Nolan’s 2014 space odyssey is an event of beauty, with the rare experience of showing viewers something they haven’t seen before.
CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water.
CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.
CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.