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Salma Hayek

Muppets Still Know How to Entertain in ‘Muppets Most Wanted’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There is a comfort, like a favorite drink in a childhood mug, about Jim Henson’s legendary Muppets and their standard of entertainment and humor. It’s brilliant that Walt Disney Studios continues to understand what makes them work, producing their latest, “Muppets Most Wanted.”

‘Grown Ups 2’ is the Worst Comedy Since 2010’s Loathed ‘Grown Ups’

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – There’s a time and a place where overacting is acceptable – musicals, children’s plays, Broadway – but there’s nothing worse than using it all the time in every wrong place.

Kevin James Displays Heart in ‘Here Comes the Boom’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Seeing the words “Happy Madison Production” on any film means a broad, unfunny and formulaic comedy is about to emerge – usually with company founder Adam Sandler. Although “Here Comes the Boom” has some of those dulling elements, it’s Kevin James who is sincere and motivated as a cage match fighter.

Oliver Stone’s ‘Savages’ Harpoons Drug War Absurdities

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Director Oliver Stone sees a controversy, and comments on a controversy, in his own distinctive cinematic style. The new film “Savages” is no exception, taking on the U.S./Mexican marijuana wars, with performances by Blake Lively, Taylor Kitsch, Aaron Johnson, Salma Hayek and John Travolta.

Clever, Fun Adventures of ‘The Pirates! Band of Misfits’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “The Pirates! Band of Misfits” has that incredible Aardman energy and elegance of works like “Wallace & Gromit” and “Chicken Run” along with some of the best voice work you’ll hear in an animated film all year.

‘Puss in Boots’ Coasts Through Familiar Animated Antics

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Animated family films have made a pact with their audience. For our participation – and extra 3D glasses fee – they deliver the latest in computer generated eye candy, familiar voice talent and heroes that always win while making pop culture references. Antonio Banderas is “Puss in Boots.”

Adam Sandler, Kevin James Act Like Children in ‘Grown Ups’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It may be called “Grown Ups,” but too much of the new Adam Sandler ensemble comedy feels like it was written by an eight-year-old boy. The believable friendship chemistry that Sandler has with co-stars Kevin James, Chris Rock, David Spade, and Rob Schneider significantly ups the entertainment value, but “Grown Ups” could have and should have been much better.

‘Cirque du Freak: The Vampire’s Assistant’ With John C. Reilly Not Freaky Enough

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For everything that Paul Weitz’s “Cirque du Freak: The Vampire’s Assistant” does right, there’s something about the film that just doesn’t work. More manic than quirky and more cluttered than consistent, “Cirque” features a few great performances and interesting characters but they’re sabotaged by the other members of this cinematic freak show.

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  • Ride Along with Ice Cube

    CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.

  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

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