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Blake Lively

Old Hollywood Glamour in Woody Allen’s ‘Café Society’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In the 1930s, the contrast between the world of Hollywood movie sparkle and the rest of a Depression-era America was as different as peasants and kings. Writer/director Woody Allen captures this dichotomy with an East Coast/West Coast tale of one family in “Café Society.”

Intoxicating ‘The Age of Adaline’ a Featherweight Fantasy

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “The Age of Adaline” is a beautifully shot featherweight fantasy that remains charming as long as you don’t think about it too hard, or at all.  At one point one character asks another why he loves Adaline, and he replies “because she makes no sense.” The same could be said for this movie.

Oliver Stone’s ‘Savages’ Harpoons Drug War Absurdities

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Director Oliver Stone sees a controversy, and comments on a controversy, in his own distinctive cinematic style. The new film “Savages” is no exception, taking on the U.S./Mexican marijuana wars, with performances by Blake Lively, Taylor Kitsch, Aaron Johnson, Salma Hayek and John Travolta.

Story Lets Down Chloe Grace Moretz in Stupid ‘Hick’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It’s understandable that people from the Southern or rural United States would criticize the general media. With films like “Hick,” which generally portray them as idiots or sociopathic, there is no balance or honest characterizations. Chloe Moretz, Blake Lively, Eddie Redmayne and Alec Baldwin add their take on it all.

Ryan Reynolds in ‘Green Lantern’ is Spectacle Over Story

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The tipping point is close approaching in the super hero movie aura, especially as the B-list get their moment in the projection machine. “Green Lantern,” featuring Ryan Reynolds, stays true to its comic book roots, but lacks any cohesive passion within the main story.

Ben Affleck’s ‘The Town’ Proves ‘Gone Baby Gone’ Wasn’t Beginner’s Luck

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Only three years since the Chicago Film Critics Association awarded Ben Affleck as our most promising filmmaker, he’s back in the director’s seat a second time with “The Town”. While the film dramatically centers on the business of robbery in his familiar streets of Boston, Affleck importantly proves that his 2007 Oscar-nominated film “Gone Baby Gone” wasn’t just beginner’s luck.

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  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

  • Abbie Hoffman Died for Our Sins Fest

    CHICAGO – It’s 3am on Saturday night/Sunday morning on August 20th, and you’re just not ready to quit. How about indulging in the 2016 “Abbie Hoffman Died for Our Sins” Theater Festival? The three-day theater marathon is in its 28th edition, and will be sponsored for the final time by the Mary-Arrchie Theatre Company, and hosted by the “Godfather of Storefront Theater,” Rich Cotovsky. It all takes place at the Den Theatre, 1333 N. Milwaukee in Chicago (details below).


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