Danny McBride

Fam Bam! On-Air Review of ‘The Mitchells vs. The Machines’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on April 29th, 2021, reviewing the new film “The Mitchells vs. The Machines” streaming on Netflix beginning April 30th.

Rebooted ‘Halloween’ Sequel Offers Nothing New in 2018

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – At this point, the “Halloween” franchise is looking as tattered and tired as Michael Myers old William Shatner mask… fraying around the edges and on the verge of falling apart. The 2018 “reboot” sequel brings back former scream queen Jamie Lee Curtis as Laurie Strode, along with original Michael Myers, Nick Castle.

‘Alien: Covenant’ is a Pale Copy of Previous Best Films

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It’s worth noting that the Alien series extends back nearly 40 years, and yet the chest-bursting Xenomorphs have produced a grand total of exactly two good movies. The orginal “Alien” and “Aliens” are great films that stand the test of the time, while every other entry in this series would require a significant stretch of the imagination to be called barely watchable.

‘Sausage Party’ is a Hard R-Rated Raunchy Good Time

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – First things first. Don’t let the fact this is animated fool you, “Sausage Party” is most decidedly, definitely, absolutely NOT FOR CHILDREN. This is a hard R-rated Seth Rogen raunch fest that may induce nightmares for more sensitive viewers and contains images of animated debauchery that can not be unseen. But it is inventively profane, with more on its mind than just animated f-bombs.

Bill Murray Rolls Downhill in ‘Rock the Kasbah’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – What’s up with this movie? Everything in it is so wrong headed, despite movie star casting and a attempt toward “current events.” Setting itself in a modern and complex country – Afghanistan – but creating a perspective on that country that is straight ugly American, “Rock the Kasbah” is a total downer.

Unusual, Passionate ‘Aloha’ is Deeply Resonant

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.

‘This is the End’ Turns Stoner Fantasy Into Comedy

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When David Gordon Green’s “Your Highness” hit fans of its writer/director and talented stars like a really bad pot hangover, its creators admitted that the project began life as a stoned what-if scenario. “Hey, let’s make a pot-laced fantasy movie, dude.” Seth Rogen & Evan Goldberg’s “This is the End” clearly had similar origins.

Jesse Eisenberg’s ‘30 Minutes or Less’ is Half Funny, Wholly Disappointing

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The new half-unfunny comedy “30 Minutes or Less” stands as a destructive come down for newly minted star Jesse Eisenberg following his high-profile role as Facebook founder Mark Zuckerberg in David Fincher’s “The Social Network”.

Danny McBride, James Franco Falter With Dreadful ‘Your Highness’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “Your Highness” just makes me sad. Rarely have so many talented people been sucked into such an unfunny disaster as what will surely be one of the biggest disappointments of the year.

Robert Downey Jr., Zach Galifianakis Are an Odd Pair in Funny ‘Due Date’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is a strong temptation to lead this review with “Hey, ‘Due Date,’ ‘Planes, Trains and Automobiles’ just called, they want their plot back,” but this Robert Downey Jr. and Zach Galifianakis star vehicle drives on its own strange vibe, part road trip and part comedy that depends on suspension of all reality. Yet it mostly works.

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