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Adam Sandler

Adam Sandler Sticks to Formula in ‘Jack and Jill’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – No one will ever accuse Adam Sandler of not knowing his audience and the reason they keep coming back to his “Happy Madison” genre of films – he delivers the oddball characters, lots of bodily fluids/sounds, physical beatings and the know-it-all straight man. Add the gooey sentiment and out spews the latest, “Jack and Jill.”

Torturous, Awful ‘Bucky Larson: Born to Be a Star’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – Adam Sandler lost a bet. How else to explain the existence of “Bucky Larson: Born to Be a Star,” a movie that no one but the man behind Happy Madison would possibly finance? If you took this script (co-written by Little Nicky himself) to any sane film producer, they would assume you were pulling a prank.

Kevin James in ‘Zookeeper’ is Zany Family Fun

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Not being familiar with the Kevin James filmography really helped in assessing his latest, “Zookeeper.” His appeal is very evident, and the filmmakers do some funny bits with the old “talking animal” routine.

Adam Sandler, Jennifer Aniston Hit Career Lows in ‘Just Go With It’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – If you have a masochistic desire to see unlikable morons on a vacation you probably can’t afford, check out one of the worst movies in a long time, Adam Sandler’s horrendous “Just Go With It.” This is the kind of unmitigated disaster that had a group of critics trying to determine if it was Sandler’s worst film EVER. So, imagine your least favorite Sandler joint (may I suggest “Little Nicky” or “I Now Pronounce You Chuck and Larry”) and know that this one is arguably even more unbearable.

Adam Sandler, Kevin James Act Like Children in ‘Grown Ups’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It may be called “Grown Ups,” but too much of the new Adam Sandler ensemble comedy feels like it was written by an eight-year-old boy. The believable friendship chemistry that Sandler has with co-stars Kevin James, Chris Rock, David Spade, and Rob Schneider significantly ups the entertainment value, but “Grown Ups” could have and should have been much better.

Adam Sandler, Seth Rogen Star in Ambitious But Flawed ‘Funny People’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Judd Apatow’s “Funny People,” starring Adam Sandler, Seth Rogen, and Leslie Mann, is like watching a friend try out a new stand-up routine. As with a lot of attempts at trying something untested, it doesn’t quite work out, but you have to admire the effort, if not the execution.

Adam Sandler is White Ladies Man in Judd Apatow’s ‘You Don’t Mess With the Zohan’

HollywoodChicago.com Oscarman rating: 3.5/5
Rating: 3.5/5.0

CHICAGO – In the relatively anemic anthology of recent Adam Sandler flops, “You Don’t Mess with the Zohan” hangs above with comedic charm and a nonsensically amusing plotline. The story is divisively intermingled with racial and ethnic sensitivities between the Israelis and Palestinians.

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  • Chronicle with Dane DeHaan

    CHICAGO – With great power comes great responsibility. Since the invention of the written word, authors have been playing with the idea that power leads to problems as it is man’s inherent nature to use that power to satisfy his own needs. Superhero fiction is based on it (good guys use their power for good, villains use it for evil). A lot of sci-fi is based on it. And the smash hit “Chronicle” (over $120 million worldwide with 10% of that as its budget), recently released on DVD and Blu-ray, cleverly plays with these themes in a way that feels new. The DVD offers nothing notable in terms of special features so one should probably expect a special edition to be released to coincide with the in-production “Chronicle 2.”

  • The Vow with Rachel McAdams and Channing Tatum

    CHICAGO – I feel like a bit of a confession is necessary to frame my opinion of the truly awful “The Vow.” Lest you think this is just some cynical male critic, I like “The Notebook” and “The Lake House.” I even kind of like “Dear John” and didn’t hate “The Time Traveler’s Wife.” Yes, I’m a cheeseball when the cheese is well-done. I wanted to like “The Vow.” There’s nothing to like here unless you find taking talented, charming actors and making them deadly dull likeable.

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