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Benicio Del Toro

Benicio Del Toro is Never Better in Standout 2015 Thriller ‘Sicario’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Seeing the man behind the curtains in “The Wizard of Oz” really was when so many of us truly understood what “behind the scenes” means. Today, we’re fascinated by FBI and CIA stories because they grant us top-secret security clearance we’ll otherwise never have.

Oliver Stone’s ‘Savages’ Harpoons Drug War Absurdities

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Director Oliver Stone sees a controversy, and comments on a controversy, in his own distinctive cinematic style. The new film “Savages” is no exception, taking on the U.S./Mexican marijuana wars, with performances by Blake Lively, Taylor Kitsch, Aaron Johnson, Salma Hayek and John Travolta.

‘The Wolfman’ With Benicio Del Toro Misses By a Hair

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Joe Johnston’s “The Wolfman” nearly works. The Benicio Del Toro vehicle has a strong supporting cast, a few striking visual compositions, and at least one must-see sequence, but it misses the mark as a complete film, never quite as compelling or entertaining as it could or should have been.

Benicio Del Toro Shines in Steven Soderbergh’s Mesmerizing ‘Che’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Steven Soderbergh’s “Che” not only features one of the best recent performances by the excellent Benicio Del Toro but this challenging biopic, unlike any that has been made in years, is one of the best films of 2008.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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