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Ray Winstone

Lack of Cohesiveness, Intrigue Stymies ‘The Gunman’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – If you’re going to see a Sean Penn action movie, I guess “The Gunman” would be appropriate. As he and the filmmakers inject some reality in the usual motivations, the puzzle pieces don’t connect well and in the end are not that interesting. That is not to say that the film is bad.

Thought-Illuminating, Mind-Blowing ‘Under the Skin’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Imagine a stranger taking a journey around the landscape of their destiny. That only begins to describe the audacity and power of director Jonathan Glazer’s “Under the Skin.” Scarlett Johansson creates a character of undeniable mystery and truth, a stranger in a strange land.

Daring Vision of Darren Aronofsky’s Epic ‘Noah’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

Darren Aronofsky’s controversial “Noah” exists somewhere between the sentimental, straight-faced versions of biblical tales that Hollywood has been producing for decades and more auteur-driven fare like Martin Scorsese’s “The Last Temptation of Christ”.

‘Snow White and the Huntsman’ Dwarfed By Comatose Kristen Stewart, Melodramatic Charlize Theron

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If you can stomach forgiving the film’s uneven acting, inconsistent pacing and a higgledy-piggledy script that feels like it’s still in draft mode, just zero in on the only newsworthy question about “Snow White and the Huntsman”: Who are those “dwarves”?

Gorgeous ‘Hugo’ Plays Like Cinematic Snow Globe

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Martin Scorsese’s “Hugo” is a deeply personal piece, a magical tale about imagination and the importance of film preservation presented with some of the most technical expertise in years. It is also a strikingly cold film, an adventure that doesn’t contain the whimsy, pace, or charm that it really needed to in order to connect emotionally as well as intellectually.

Matthew McConaughey, Kate Hudson Feel Valentine’s Day Love in ‘Fool’s Gold’

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – Check off this list of stock movie characters: the broke rogue adventurer, his sensible love interest, the daffy heiress, her gruff but benign wealthy father, the evil rival, the doltish but loyal sidekick, the evil rival’s goons and the “seems to be evil but in the end turns out heroic” buddy.

‘Beowulf’ in IMAX 3D Affords Break For Big Actors to Improve Even Themselves

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – It’s all the rave today to exhume an epic from long, long ago and bring it back on the monster screen bigger, better and with more grandeur than ever fathomable before.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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