CHICAGO – If you can stomach forgiving the film’s uneven acting, inconsistent pacing and a higgledy-piggledy script that feels like it’s still in draft mode, just zero in on the only newsworthy question about “Snow White and the Huntsman”: Who are those “dwarves”?
CHICAGO – Martin Scorsese’s “Hugo” is a deeply personal piece, a magical tale about imagination and the importance of film preservation presented with some of the most technical expertise in years. It is also a strikingly cold film, an adventure that doesn’t contain the whimsy, pace, or charm that it really needed to in order to connect emotionally as well as intellectually.
CHICAGO – Check off this list of stock movie characters: the broke rogue adventurer, his sensible love interest, the daffy heiress, her gruff but benign wealthy father, the evil rival, the doltish but loyal sidekick, the evil rival’s goons and the “seems to be evil but in the end turns out heroic” buddy.
CHICAGO – It’s all the rave today to exhume an epic from long, long ago and bring it back on the monster screen bigger, better and with more grandeur than ever fathomable before.