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Taylor Kitsch

Gunplay & Violence Fuel Heroics in ‘American Assassin’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There was another mass shooting (eight dead) in Texas this week, but it was underreported because it didn’t involve “undesirables” and just seemed like another week in America. This blithe attitude towards guns, gunplay and violence continues in the movies, this week with the overindulgent release “American Assassin.”

Peter Berg’s Brutal ‘Lone Survivor’ Lacks Context

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

Imagine a version of “Saving Private Ryan” that takes place entirely on the beaches of Normandy. It would have a visceral power purely through the horror of the recreation of war. However, it would lack the context of the rest of the narrative and lead one to question why the cinematic trip was worth taking.

Oliver Stone’s ‘Savages’ Harpoons Drug War Absurdities

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Director Oliver Stone sees a controversy, and comments on a controversy, in his own distinctive cinematic style. The new film “Savages” is no exception, taking on the U.S./Mexican marijuana wars, with performances by Blake Lively, Taylor Kitsch, Aaron Johnson, Salma Hayek and John Travolta.

Despite Rihanna, Peter Berg’s ‘Battleship’ Lands as One of the Best Popcorn Flicks Ever

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Battleship” certainly could simplistically be reduced to a 131-minute propaganda piece of why you might want to enlist in the U.S. Navy – that is, if Earth had to ward off lizard-like creatures from a deep-space solar system we can only reach by slingshotting a highly amplified “What’s up, aliens?” broadcast to them.

‘John Carter’ is Poor Man’s ‘Star Wars,’ ‘Avatar’ With Kitschy Taylor Kitsch, Soft-Porn Lynn Collins

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Usually it’s critics critically flogging a film when we say it weakly lacks originality and borrows too heavily from others. Disney’s “John Carter” attacks that classic grumble by promotionally comparing itself to “Star Wars” and “Avatar” before critics even had a chance to deduct points for it.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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