HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Steve Buscemi

Alec Baldwin Puts the Funny in ‘The Boss Baby’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The young Alec Baldwin (think “Prelude to a Kiss”) never seemed as prevalent as the today’s Alec Baldwin. Taking his “30 Rock” persona to a different level, he voices the title character of ‘The Boss Baby,” the latest from Dreamworks Animation and director Tom McGrath.

Drac Pack Still a Drag in ‘Hotel Transylvania 2’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – For the younger set unable to experience the mystique of Dracula, Wolfman and Frankenstein in their original creations, “Hotel Transylvania 2” may prove to be an introduction to the legendary bloodsucker and his band of movie monsters – and for that Adam Sandler deserves a stake through his heart.

Adam Sandler’s ‘The Cobbler’ a Historical, Stupefying Disaster

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The newest Adam Sandler film that doesn’t feature him dressed like a chubby middle schooler is really bad, but in a special way. Similarly, it is an instant classic in the legacy of bizarre disasters, a footnote in writer/director history that must be witnessed to be fully understood.

‘Grown Ups 2’ is the Worst Comedy Since 2010’s Loathed ‘Grown Ups’

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – There’s a time and a place where overacting is acceptable – musicals, children’s plays, Broadway – but there’s nothing worse than using it all the time in every wrong place.

Pixar Scores Again With Delightful ‘Monsters University’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Let’s everybody say it together, “the key to great animation is a great story.” This has to be the motto for Pixar Animation – now part of Disney. Their latest, “Monsters University,” is a prequel with a heart, soul and attention to what makes this type of entertainment work.

Nothing Magical About ‘The Incredible Burt Wonderstone’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It’s this simple – “The Incredible Burt Wonderstone” just isn’t funny. Sure, there are a few laughs here and there and some of the supporting cast works but the leads are woefully miscast and most of the jokes hit with all the awkward silence of a Bennigan’s tableside magician who guesses the wrong card.

‘Hotel Transylvania’ Proves Hyper Isn’t Always Funny

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It was probably just a matter of time. With the current vampire craze dominating pop culture in flicks like “The Twilight Saga” and shows like “True Blood,” it was inevitable that creatures of the night be turned into family entertainment. Even “Abbott & Costello Meet Frankenstein” was recently released on Blu-ray and Universal is about to unleash a whole set of HD monster movie classics. Monsters are hip. “Hotel Transylvania” does its best to put a nail in that coffin.

Sirens Flash Red For Woody Harrelson in ‘Rampart’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The “thin blue line” is a police term. It represents the designation between the protection the police provides and the anarchy that is on the other side of that protection. The cop that Woody Harrelson portrays in “Rampart” crosses that line repeatably, formulating his own retribution.

Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker