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John Travolta

Oliver Stone’s ‘Savages’ Harpoons Drug War Absurdities

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Director Oliver Stone sees a controversy, and comments on a controversy, in his own distinctive cinematic style. The new film “Savages” is no exception, taking on the U.S./Mexican marijuana wars, with performances by Blake Lively, Taylor Kitsch, Aaron Johnson, Salma Hayek and John Travolta.

Denzel Washington, John Travolta in Average ‘The Taking of Pelham 123’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Tony Scott’s remake of “The Taking of Pelham 123,” starring Denzel Washington and John Travolta, is likely to meet sun-drained audience expectations for a straight-forward, adult-driven action film this season but the overly stylized and not-so-thrilling train ride is ultimately merely average at best and will disappoint fans looking for anything more.

Despite Rollercoaster Energy, ‘Mamma Mia!’ Bellows Beloved ABBA Vocals With Feel-Good Appeal

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – While it’d be embellishment to say you’d have the time of your life at the new musical film “Mamma Mia!,” any dancing queen or an admirer of seeing Pierce Brosnan croon a tune instead of trigger James Bond destruction can at least have some of the time of your 108 minutes.

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  • Ride Along with Ice Cube

    CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.

  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

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