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Olivia Munn

‘Office Christmas Party’ is Just Ho-Hum Humbug

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Office Christmas Party” summons up a few jolly ho-ho-ho’s, but can’t quite deliver even one decent belly laugh you’d expect, considering the talented cast chock full of funny folks. It’s halfway decent premise is drowned in a sea of unfulfilled potential and weak material that the ensemble can only do so much to save.

‘X-Men: Apocalypse’ is a Marvel Entertainment Gem


Rating: 4.5/5.0

CHICAGO – In doing “comic book” movies right, Marvel Entertainment has established a formula of decent back stories, complex villainy and probable scenarios. In continuing to tell a history of the second half of the 20th Century in “X-Men Apocalypse,” they also add a historical parallel universe that works.

‘Ride Along 2’ Takes a Bumpy Trip to a Dead End

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Kevin Hart’s license to riff should be revoked. “Ride Along 2” is an aimless, pointless and seemingly endless sequel to the bafflingly successful action comedy from a couple years back. Hart hijacks nearly every scene with his incessant hyperactive schtick.

Supremely Silly ‘Mortdecai’ is a Pleasant Surprise

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – I have to say while watching Johnny Depp in “Mortdecai,” I found myself amused. I rarely elicited anything more than a slight chuckle, but its indomitable spirit of silliness made it a not entirely unpleasant evening out. This feather-weight trifle of a caper is only slightly more than the funny mustache movie its posters and trailer make it out to be.

‘Deliver Us From Evil’ Goes Straight for the Jugular

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Deliver Us from Evil” is director Scott Derrickson’s second foray into possession horror. His first, the excellent “The Exorcism of Emily Rose,” was taut, thoughtful and offered some truly unsettling demon scares…it still ranks as one of the most important and best of the new crop of possession/devil films it helped kick start into being with their box office numbers.

Comedy, Breeding Don’t Mix in Lame ‘The Babymakers’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – One of the questions we’re never suppose to ask the married couple without kids is, ‘when are you going to have kids?’ There might be specific reasons that it’s none of your damn business. Surprisingly, there is a whole so-called comedy based on this question and answer. Olivia Munn goes kid hatching in ‘The Babymakers.’

Channing Tatum Reveals the Male Stripper in ‘Magic Mike’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It turns out that Channing Tatum did a bit of male stripping on the way up the show business ladder, which adds some spice and verisimilitude to “Magic Mike,” a backstage tale about the masculine side of theatrical disrobing, supported by Matthew McConaughey and Alex Pettyfer.

Sarah Jessica Parker in ‘I Don’t Know How She Does It’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – She produced and starred in one of the great TV-to-film franchises of the last 15 years. She has made millions in endorsements for the fashion industry. She is married to a prominent celebrity who once played Ferris Bueller. Regarding Sarah Jessica Parker, “I Don’t Know How She Does It.”

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  • Wonder Woman

    CHICAGO – There are few films to come out this year to be both as historically important as they are cinematically well-crafted. Of those handful of films, there is only one that I saw three times in theaters.

  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

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