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Rose Byrne

‘X-Men: Apocalypse’ is a Marvel Entertainment Gem


Rating: 4.5/5.0

CHICAGO – In doing “comic book” movies right, Marvel Entertainment has established a formula of decent back stories, complex villainy and probable scenarios. In continuing to tell a history of the second half of the 20th Century in “X-Men Apocalypse,” they also add a historical parallel universe that works.

Pointless Trip Back to ‘Neighbors 2: Sorority Rising’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The original “Neighbors” was a funny enough movie, that still boasted at least a couple of big laughs. “Neighbors 2: Sorority Rising” only manages the occasional chuckle here and there. As far as big budget studio comedy sequels go, it’s not as bad as “The Hangover 2.” It’s more in line with “Ghostbusters 2”.

Susan Sarandon Plays Smother Mother in ‘The Meddler’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Some mothers are born great, others have greatness thrust upon them. The Mom of “The Meddler” – portrayed with precise intuition by Susan Sarandon – is of the greatness-of-the-future variety, by simply evolving to be herself. Rose Byrne as daughter Lori tags along.

Fresh Blast of Funny From Melissa McCarthy in ‘Spy’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It can be argued that Melissa McCarthy, with a film a year and a TV sitcom still running, is topping out on exposure. But as long as she teams with writer/director Paul Feig, as she did on “Bridesmaids” and “The Heat,” she will continue to be an original comic force. Their latest is “Spy.”

Uneven ‘Annie’ Makes Some Very Bad Decisions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The diabetes-inducing Broadway musical “Annie” does not deserve two film versions – including the newest release – especially since both are tortuous and somewhat dark. The “modern” version even eliminates most of the strength that “Annie” possessed on stage, its chipper songs.

Unoriginal, Unfunny ‘This is Where I Leave You’ a Poor Man’s ‘August: Osage County’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Jason Bateman and an all-star cast got me there. The unfunny copycat story left me regretting it. If you don’t start with a solid plot that’s at least somewhat new, it doesn’t matter how many “A”-listers you throw into an ensemble. They’re just individuals doing the best they can with weak material. But the film’s fatal flaw is it can’t figure out who it is – a comedy, drama or dramedy? – and it didn’t do just one thing well.

Funny But Familiar Trip to Frat House in ‘Neighbors’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I have a high tolerance for Seth Rogen, but he begins to show some signs of creative exhaustion in “Neighbors,” a raunchy frat house comedy that’s never quite as funny as it should be. Rogen’s onscreen persona here comes dangerously close to schtick.

‘Insidious: Chapter 2’ is Mere Ghost of Original

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Writer Leigh Whannell and director James Wan reunite for “Insidious: Chapter 2,” a repetitive, cluttered, just silly variation on the first movie that will feel like a step back for anyone who admired Wan’s notable advancement as a filmmaker in this summer’s stellar “The Conjuring.”

Vince Vaughn, Owen Wilson Lack Brass in ‘The Internship’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Dang, dang, dang. C’mon, Vince Vaughn and Owen Wilson, how about a little anarchy? “The Internship” is a perfectly nice little comedy about old dudes trying to break into the new world of Google employment. But this new world is just another empire, and nobody wants to topple it.

Crime, Fatherhood Intersect in ‘The Place Beyond the Pines’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Derek Cianfrance’s masterful “The Place Beyond the Pines” is a complex, epic piece of storytelling about the ripple effect of crime through families and across generations. Drastic action does not exist in a vacuum. It influences generations below and those impacted by their parent’s decisions.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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