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Johnny Depp

Johnny Depp is Ghoulish in Mob Saga ‘Black Mass’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Black Mass” is a well crafted, if somewhat conventional crime tale. It won’t win any awards, but it’s entertaining enough. The story of real life Boston crime boss “Whitey” Bulger has no shortage of juicy details, and while the saga of this mob boss slash FBI turncoat falls short of greatness, Johnny Depp turns him into an otherworldly presence.

Supremely Silly ‘Mortdecai’ is a Pleasant Surprise

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – I have to say while watching Johnny Depp in “Mortdecai,” I found myself amused. I rarely elicited anything more than a slight chuckle, but its indomitable spirit of silliness made it a not entirely unpleasant evening out. This feather-weight trifle of a caper is only slightly more than the funny mustache movie its posters and trailer make it out to be.

Four Fairy Tales Charmingly Unite in Hollywood, Broadway Merger of ‘Into the Woods’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Neither Hollywood nor purely Broadway, Disney’s big-screen adaptation of the Stephen Sondheim musical “Into the Woods” finds a charming home on Hollyway. Even if you’re not a “musical kind of person,” I challenge you not to want to sing along to the catchy tunes or laugh at the intentionally overdramatic comedy.

Don’t Say That You Love Me in Kevin Smith’s ‘Tusk’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The headline is a quote (“Don’t say that you love me!”) from Fleetwood Mac’s song “Tusk,” which Kevin Smith gratefully includes in his film of the same name. The movie is either the most outrageous audacity of the year or a blatant middle finger from Smith to the audience. You decide.

Artist Ralph Steadman Profiled in ‘For No Good Reason’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the deluge of images that pierce our cerebral cortex on a daily basis, it’s refreshing to go back to the days when images had more influence, sought through publications or word of mouth. Artist Ralph Steadman was a mover and shaker – along with his writing partner Hunter S. Thompson – in the age-old notion that the pen can be mightier than the sword.

Meditative ‘Transcendence’ Also Artificially Intelligent

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

‘The Lone Ranger’ Rides Again in Classic Western Style

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In trying to revive the Western film genre, Walt Disney Pictures is also reviving the “Pirates of the Caribbean” formula – extreme action, intrigue, flamboyant characters and Johnny Depp. Add a dash of a familiar American legend – “The Lone Ranger” – and it’s summer movie time.

Keep Tim Burton’s ‘Dark Shadows’ Out of the Light

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Tim Burton’s “Dark Shadows” is one of the most inconsistent and frustrating major films in a long time. There are elements here and there that work but Burton and writer Seth Grahame-Smith seem incapable of figuring out how to wrangle them into a coherent, successful film.

Jonah Hill, Channing Tatum Have Fun on ‘21 Jump Street’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There are various opinions about TV-to-movie remakes, mostly negative. That is why “21 Jump Street,” based on a 1980s TV show, manages some grudging respect. Jonah Hill, Channing Tatum, Ice Cube, Rob Riggle, Nick Offerman and Ellie Kemper create some goofy laughs in this farce.

Adam Sandler Sticks to Formula in ‘Jack and Jill’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – No one will ever accuse Adam Sandler of not knowing his audience and the reason they keep coming back to his “Happy Madison” genre of films – he delivers the oddball characters, lots of bodily fluids/sounds, physical beatings and the know-it-all straight man. Add the gooey sentiment and out spews the latest, “Jack and Jill.”

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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