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David Koepp

Supremely Silly ‘Mortdecai’ is a Pleasant Surprise

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – I have to say while watching Johnny Depp in “Mortdecai,” I found myself amused. I rarely elicited anything more than a slight chuckle, but its indomitable spirit of silliness made it a not entirely unpleasant evening out. This feather-weight trifle of a caper is only slightly more than the funny mustache movie its posters and trailer make it out to be.

Character Reboot ‘Jack Ryan: Shadow Recruit’ Pales as Compared to Masterful Predecessors

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It’s been 12 years since we’ve seen Tom Clancy’s masterful, Jason Bourne-esque character Jack Ryan in 2002’s “The Sum of All Fears” (led by Ben Affleck), which itself was a character reboot. We first saw Jack in 1990’s “The Hunt For Red October” as Alec Baldwin and then twice in the body of Harrison Ford with 1992’s “Patriot Games” and 1994’s “Clear and Present Danger”.

Joseph Gordon-Levitt Peddles Clichés in ‘Premium Rush’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – We’re looking for cowboy heroes in America, and a new film contends that the urban bike messenger could represent that long lost persona. This unlikely theory is the basis for “Premium Rush,” and it features Joseph Gordon-Levitt, Michael Shannon, Aasif Mandvi and Dania Ramirez.

After 19 Years, ‘Indiana Jones and the Kingdom of the Crystal Skull’ Phenomenally Exhumes Venerated Roots

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – After such a long respite from the beloved film progression, I was initially just as skittish about seeing Harrison Ford back in the Indy saddle as I was watching Sylvester Stallone back in the ring in “Rocky Balboa” in his 2006 comeback and then again in 2008 in his “Rambo” return.

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  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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