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Sarah Jessica Parker

Shallow, Garish ‘New Year’s Eve’ Ruins Your Holiday

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “New Year’s Eve” is so garish and manipulative that it doesn’t really qualify as a film – it’s a product, no more an actual movie than a Hallmark card is a piece of poetry. It is corporate junk at its worst, so shallow that it’s almost remarkably thin, as if director Garry Marshall were trying to win a contest for lack of subtlety.

Sarah Jessica Parker in ‘I Don’t Know How She Does It’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – She produced and starred in one of the great TV-to-film franchises of the last 15 years. She has made millions in endorsements for the fashion industry. She is married to a prominent celebrity who once played Ferris Bueller. Regarding Sarah Jessica Parker, “I Don’t Know How She Does It.”

One Sequel Too Many For Sarah Jessica Parker, ‘Sex and the City 2’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Sex in the City 2” has very little sex and even less city. That is the least of its sins. This bloated, directionless semi-narrative take the familiar foursome – Sarah Jessica Parker, Kim Cattrall, Cynthia Nixon and Kristin Davis – into unfamiliar geographic territory, but with no dramatic arc there is simply nothing there.

‘Sex and the City: The Movie’ a Frilly University For Understanding the Human Condition

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – To its voracious universe of cult-following fans, it feels like a television marathon that spans an entire season. To everyone else who bats an indifferent eye at the religion that is “Sex and the City,” it may surprise you to find that all the glam and glitz has something even for you to learn, too.

Ellen Page’s ‘Smart People’ Only as Scholarly as Zealous Senior in High School

HollywoodChicago.com Oscarman rating: 2.5/5CHICAGO – I’m flummoxed. I know “Smart People” was supposed to be comedic drama with a splash of romance. Instead, I have been misled. It’s not a comedy. It’s not a tragedy. It’s not even a tragicomedy.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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