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Everything is Beautiful at the Ballet in ‘Leap!’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the rites of passage for most girls in the U.S.(and elsewhere, I presume) is ballet lessons. Usually it lasts for a very short time, but some girls-to-women keep pursuing it, and may even become prima ballerinas. A new animated film named “Leap!” is dedicated to that spirit.

Story in ‘Wind River’ Gets Scattered in the Breeze

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Writer/Director Taylor Sheridan is a deep thinker regarding humanity in these United States. In the third film of his “American Frontier Trilogy” – after “Sicario” and “Hell or High Water” – he goes to the Wyoming Native American reservation, for a unwieldy story titled “Wind River.”

Michael Keaton is a Man with a Brand in ‘The Founder’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Michael Keaton is the real reason to see “The Founder” – it’s a movie that probably wouldn’t work at all without him. Keaton portrays Ray Kroc, the man who turned McDonald’s into a multinational fast food behemoth. But “The Founder” is an origin story of both the man and the brand…and Kroc is not the genius of American business he’s been made out to be.

‘Lion’ Can’t Quite Tame Audience’s Hearts

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Lion” is the kind of inspirational-triumph-over-insurmountable-odds and adversity stories that’s bound to appeal to grandmothers and Academy voters, and it does offer plenty of material to tug at the heartstrings. But it’s a movie that only gets the job half done, and unfortunately loses its way once Nicole Kidman comes into the picture.

Quentin Tarantino Stays Familiar in ‘The Hateful Eight’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Story-wise, there is not much difference in “The Hateful Eight” – regarding themes and violence – that writer/director Quentin Tarantino hasn’t explored before. But it is also an outrageous and big western tale, and it’s presented in some theaters in a huge 70mm screen format.

Probable Events is the Situation in Tense ‘No Escape’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In a very unstable world, and in a sense that these problems are international, we all can be stuck in war at any time – there is no way to get away from it. “No Escape” takes this notion to the extreme, with an American family – led by Owen Wilson – caught in a war zone.

Trite ‘Woman in Gold’ Lacks a Compelling Story

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The horrors of the Holocaust have been expressed in cinematic art through many angles. “Woman in Gold” takes another track, that of restoring a work of art that was stolen from a Jewish family in Austria. The legal maneuverings, however, lacks a sense that this is victorious.

‘Big Eyes’ Too Conventional to Generate Any Interest

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – What’s up with Tim Burton? His style is hardly present in the straightforward story of artists Margaret and Walter Keane, locked in a battle of creation over “Big Eyes” child paintings. There is nothing revelatory or even interesting in the process of their struggle of who-painted-what, maybe perhaps Burton – a collector of the art – wants to increase their value?

Lives Interact in ‘The Disappearance of Eleanor Rigby: Them’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There was something blank within “The Disappearance of Eleanor Rigby: Them,” although it dealt with the issues of loss, family and reconciliation. The all star cast, including Jessica Chastain, James McAvoy and William Hurt, add their performing spins to the story.

A Fashionable Man is Captured in ‘Yves Saint Laurent’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Fashion is art, and the canvas is provided by the wearer of that fashion. The designer biography depicted in “Yves Saint Laurent” is one of tortured genius, as Saint Laurent influenced and commodified the world of clothing and accessory creation for over 50 years.

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  • It's NOT ALL About You John Michael

    CHICAGO – John Michael epitomizes the art of the monologue. The Chicago transplant, by way of Dallas, is moving on (he says temporarily) from the city that inspired his last show, “Meatball Seance,” after notorious and successful runs of his other one-man shows, “John Michael and the Order of the Penix” and “Dementia Me.” His farewell performance is his latest, another laugh riot, “It’s NOT ALL About You John Michael,” and will take place at Mary’s Attic in Chicago’s Andersonville neighborhood on March 1st, 2019. Click here for details, including ticket information.

  • Soccer Player in the Closet, The 2

    CHICAGO – Connecting to the theater collective Nothing Without a Company means a couple of things. One, you may visit parts of Chicago you’ve never seen before – in this case a plant store in an industrial area south of Humboldt Park – and two, you will see some daring and outside-the-box stagings. “The Soccer Player in the Closet” is their latest production – a World Premiere – and it provides what the title implies and beyond. The play runs through March 17th, 2019. Click here for more details, including ticket information.

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