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Matthew McConaughey

Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.

‘Interstellar’ is Supposed to Mean Something, But What?

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’ 

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Scorsese’s ‘The Wolf of Wall Street’ a Deliciously Gluttonous Inspection Into Our Demons

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – No matter how painfully bad it may be, I never walk out of a screening. It’s a professional rule I’ve set and keep it at all costs. But with Martin Scorsese’s latest stroke of genius, I experienced a kind of pain I don’t usually wrangle with: the survival of my bladder.

Martin Scorsese’s ‘The Wolf of Wall Street’ is Cinematic Adrenalin

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Jordan Belfort (Leonardo DiCaprio) lives completely, entirely in the moment. It’s not that there’s no tomorrow, there’s not even “later that same day” in his world. People who make their living on the minute-to-minute fluctuations of the stock market are inherently going to be inclined to live in the small spaces between those quick deviations but Belfort was even more so given the fact that his first day as a legit money maker was on the day the entire economy collapsed in 1987 known as “Black Monday.”

‘Dallas Buyers Club’ is Highly Romanticized Yet Effective

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Matthew McConaughey’s performance as a 1980s-era HIV positive man in the drama “Dallas Buyers Club” is a gangbusters piece of acting. However, some highly exaggerated characters and soft soaping of reality creates a more gauzy romance of the situation than true grit.

Jeff Nichols’s ‘Mud’ Will Cause Cinephiles’ Hearts to Swell

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Sometimes it’s difficult to pinpoint the precise moment when one falls in love with a movie. Other times, it’s as effortless and intuitive as the day one stumbles upon a soul mate. That moment struck me like a bolt of lightning early on in Jeff Nichols’s “Mud,” the most richly satisfying and purely enjoyable moviegoing experience I’ve had thus far in 2013.

Nicole Kidman is Unique in Fluttery ‘The Paperboy’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – With all the steamy heat, and the thick, gluey southern accents from mostly non-southern actors, the audience for “The Paperboy” might need to wear lawyer-like suspenders and flap a funeral home fan to take it all in. The sweaty new film features Nicole Kidman, Matthew McConaughey and John Cusack, all chewing the scenery.

Matthew McConaughey Delivers in Searing ‘Killer Joe’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – William Friedkin’s film of Tracy Letts’ “Killer Joe” takes no prisoners. One of the central characters is introduced from the waist down and to say that the film climaxes in violent, sexual oddity would be like saying “The Avengers” features a few superheroes. However, it would be a mistake to allow the controversy or the shock value to become the story of this excellent noir comedy that takes black humor to a new level of darkness.

Channing Tatum Reveals the Male Stripper in ‘Magic Mike’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It turns out that Channing Tatum did a bit of male stripping on the way up the show business ladder, which adds some spice and verisimilitude to “Magic Mike,” a backstage tale about the masculine side of theatrical disrobing, supported by Matthew McConaughey and Alex Pettyfer.

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