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Matthew McConaughey

Despite Cast, ‘Sing’ Fails to Strike a Chord

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Singing is something that everyone can do. I tend to do it while in the shower or sitting in traffic. I’ve been told I have the singing voice of an angel… of death. Okay, I’m exaggerating, but the point is that while everyone can sing, not everyone should. The same extends to creating films like “Sing,” which is loud but seldom harmonious.

Fulfilling Emotion & Sumptuous Animation Awaits in ‘Kubo and the Two Strings’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In our short lives, what do we most need? It’s a hard question to answer sometimes, but the new animated film “Kubo and the Two Strings” does a memorable job of answering the query. The journey of Kubo, like Dorothy in “The Wizard of Oz,” leads to a place where he needs to go.

Social History is Revitalized in ‘Free State of Jones’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The United States is still fighting the Civil War, which ended in 1865. The rebellious South has never completely given away its anger and sorrow for the changes the war has wrought on them. These larger themes are examined historically in the new film, “Free State of Jones.”

Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.

‘Interstellar’ is Supposed to Mean Something, But What?

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’ 

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Scorsese’s ‘The Wolf of Wall Street’ a Deliciously Gluttonous Inspection Into Our Demons

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – No matter how painfully bad it may be, I never walk out of a screening. It’s a professional rule I’ve set and keep it at all costs. But with Martin Scorsese’s latest stroke of genius, I experienced a kind of pain I don’t usually wrangle with: the survival of my bladder.

Martin Scorsese’s ‘The Wolf of Wall Street’ is Cinematic Adrenalin

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Jordan Belfort (Leonardo DiCaprio) lives completely, entirely in the moment. It’s not that there’s no tomorrow, there’s not even “later that same day” in his world. People who make their living on the minute-to-minute fluctuations of the stock market are inherently going to be inclined to live in the small spaces between those quick deviations but Belfort was even more so given the fact that his first day as a legit money maker was on the day the entire economy collapsed in 1987 known as “Black Monday.”

‘Dallas Buyers Club’ is Highly Romanticized Yet Effective

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Matthew McConaughey’s performance as a 1980s-era HIV positive man in the drama “Dallas Buyers Club” is a gangbusters piece of acting. However, some highly exaggerated characters and soft soaping of reality creates a more gauzy romance of the situation than true grit.

Jeff Nichols’s ‘Mud’ Will Cause Cinephiles’ Hearts to Swell

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Sometimes it’s difficult to pinpoint the precise moment when one falls in love with a movie. Other times, it’s as effortless and intuitive as the day one stumbles upon a soul mate. That moment struck me like a bolt of lightning early on in Jeff Nichols’s “Mud,” the most richly satisfying and purely enjoyable moviegoing experience I’ve had thus far in 2013.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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