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20th Century Fox

‘The Predator’ is the Best Sequel Reboot of the Series

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – By the standards of Predator sequels, “The Predator” is easily the best of the bunch. But that’s a depressingly low bar to clear… kind of like saying you got the nicest looking “Yugo” on the lot. Coming 31 years after Arnold Schwarzenegger battled the original “one ugly mother f**ker,” this reboot brings the space alien with the heat seeking vision to the suburbs.

Formula Works Well in Hilarious ‘Deadpool 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We could all use some laughs, and “Deadpool 2” blessedly delivers. The meta superhero Deadpool – who exists both as a anti-hero and actor playing him – provides the wisecracks in the midst of the mayhem he experiences, and entertains in a way that other comic book movies wish they could be.

‘Love, Simon’ is a Palatable Queer Film Entry That Leaves Us Wanting

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Anyone who has ever held a big secret knows that the weight of it is usually worse than the secret itself. The only thing worse than that is when the secret you’re holding back is your true self. “Love, Simon” explores the all-too-familiar, high school coming of age story, but with the added complication of coming to terms with your sexuality and identity.

Keep Your Eye on Jennifer Lawrence in ‘Red Sparrow’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It is movie star time for JLaw (Jennifer Lawrence) in ‘Red Sparrow,’ because her performance transcends the muddy plot, and her charisma – even with the lowest of low key characters – creates an interest in her thought process, even as she muddles through the story.

‘Maze Runner: The Death Cure’ Has Run Out of Life

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

‘The Post’ Illuminates the Skills of Meryl Streep

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – For all the films Meryl Streep is privileged to make – which is remarkable considering the industry’s attitude toward older actresses – she has even admitted that the audience may be tired of seeing her. But as publisher Katherine Graham in ‘The Post’, she nails yet another great performance.

Delightful ‘Ferdinand’ Keeps it Simple & Funny

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Like the repeat tenets of real estate, good animated films come down to story, story, story. And ‘Ferdinand,’ an older children’s tale adapted to modern audiences, combines a gentle source narrative with palatable visual and cartoon jokes. It’s fun for the whole family!

Mustache Has More Than ‘Murder on the Orient Express’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Murder On The Orient Express” is a movie that is never quite as interesting as the main character’s mustache. Kenneth Branagh directs and stars as Agatha Christie’s most famous detective, Hercule Poirot. While it is a departure from the source novel, Branagh sports silver streak facial hair of audacious eccentricity.

‘Kingsman: The Golden Circle’ is High-Flying Spy Fun

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Kingsman: The Golden Circle” is a hard “R”-rated sequel with a thoroughly juvenile soul. It pairs silly wordplay, dirty jokes and a startling amount of bloody and gratuitous violence while its tongue remains thoroughly in cheek. This is a James Bond movie as made by an unusually sadistic 16-year-old under the influence of some not entirely legal substances.

‘War for the Planet of the Apes’ Delivers Old Hollywood Glory

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Since the Golden Age of cinema, theaters have tried countlessly to deliver up big budget films. Summer is here and the public is showing that they are cooling off these blockbusters, no longer fooled by the thought that cost equates to quality. “War for the Planet of the Apes” shows us that blockbusters may still be redeemed by channeling some Old Hollywood magic.

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